Name: Brahms reger tschaikowsky
Start: 2022-11-18T00:00:00.000Z
End: 2022-11-19T00:00:00.000Z
Location: Isarphilharmonie

Organization

Direzione d'orchestra

Nathalie Stutzmann

Cantante

Contralto

Wiebke Lehmkuhl

Alto

Direzione del coro

Andreas Herrmann

Orchestra

Munich Philharmonic

Others

Philharmonischer Chor München

tedesco

Brahms reger tschaikowsky

Monaco di Baviera

Germania

Isarphilharmonie

BRAHMS REGER TSCHAIKOWSKY: Concert Various

Public

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Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

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Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

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Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

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Ballando

Chorus Director

Composizione

Coreografia

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Costumi

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

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Libretto

Luci

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Suono

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Wig & Makeup Designer

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Writing and performance

Baritono

Basso

Mezzosoprano

Tenore

Controtenore

Soprano

Basso-baritono

Continuo

Mimi

Narrazione

Voce bianca

Sein »Deutsches Requiem« ist ein Requiem der Zuversicht. Mit dem in zeitlicher Nähe dazu entstandenen »Schicksalslied« folgte Johannes Brahms einer ähnlichen Intention: Im Gegensatz zur Gedichtvorlage von Hölderlin lässt er sein musikalisches »Schicksalslied « in hoffnungsvollen Tönen ausklingen. Gegen Gleichgültigkeit und Vergessen appelliert Max Reger in seinem Requiem, das er als eindringlichen Klagegesang angesichts der sinnlosen Opfer des Ersten Weltkriegs ausgestaltete. Zum zweiten Mal in dieser Spielzeit ist Wiebke Lehmkuhl versierte Solistin in Regers Klangwelten. Tschaikowsky haderte mit seinem Fatum. Seine »Fünfte« mit dem omnipräsenten »Schicksalsmotiv« ist die musikalische Blaupause seines inneren Seelendramas. Die französische Sängerin und Dirigentin Nathalie Stutzmann, frisch gekürte Musikdirektorin in Atlanta, debütiert mit diesem schicksalsträchtigen Programm bei den Münchner Philharmonikern.

Deutsch

His "German Requiem" is a requiem of confidence. Johannes Brahms followed a similar intention with the »Schicksalslied«, which was composed at a similar time: in contrast to the poem by Hölderlin, he lets his musical »Schicksalslied« end in hopeful tones. In his Requiem, Max Reger appealed against indifference and forgetting, which he developed as a haunting lament in the face of the senseless victims of the First World War. For the second time this season, Wiebke Lehmkuhl is an experienced soloist in Reger's world of sound. Tchaikovsky struggled with his fate. His "Fifth" with the omnipresent "fate motive" is the musical blueprint of his inner drama of the soul. The French singer and conductor Nathalie Stutzmann, newly appointed music director in Atlanta,
Regarding the title motif: Max Reger's »Requiem« is a setting of Hebbel's poem of the same name. It is about man's fear of being finally forgotten and dissolving into nothingness. The burning candle stands for the light of the soul of a deceased person, which shines forever - the soul remains unforgotten. At the same time, the candle is a universal symbol for the elementary human longing for light and warmth, help and security, comfort and peace.

English

Brahms reger tschaikowsky by Various, sab 19 nov 2022, Da (2022/2022), Direttore d'orchestra Nathalie Stutzmann, Isarphilharmonie, Monaco di Baviera, Germania

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