Name: Capriccio
Start: 2019-05-27T00:00:00.000Z
End: 2019-06-14T00:00:00.000Z
Location: Teatro Real

Organization

Singer

Soprano

Malin Byström

The Countess

Baritone

Josef Wagner

The Count

Tenor

Norman Reinhardt

Flamand

Andrè Schuen

Olivier

Bass

Christof Fischesser

La Roche

Contralto

Theresa Kronthaler

Clairon

John Graham-Hall

Monsieur Taupe

Leonor Bonilla

An Italian singer

Juan José de León

Torben Jürgens

The Major-Domo

Pablo Garcia Lopez

Criado

Sebastià Peris

Gerardo López

David Oller

Emmanuel Faraldo

Manuel Gómez Ruiz

David Sánchez

Conductor

Asher Fisch

Stage director

Christof Loy

Set designer

Raimund Orfeo Voigt

Costume designer

Klaus Bruns

Lighting designer

Franck Evin

Choreographer

Andreas Heise

Teatro Real de Madrid

Capriccio

Madrid

Spain

Teatro Real

The historic debate regarding the relative importance that words should have in opera with respect to the music constituted a source of fascination for Richard Strauss throughout his life. In Capriccio, he delves deeper in this topic, using an exceptional libretto, fruit of a suggestion from his dear Stefan Zweig, who found a brief comedy in the British Library which served as inspiration for that which would be the last opera of the German composer; a comedy, which incidentally had already served as inspiration for Antonio Salieri. From this point a plot arose, full of irony, featuring a Countess –symbol of art- whose affection were found to be divided between two suitors, a poet and a composer. Who should she chose? Decidedly Strauss placed special importance on the inteligibility of the text that was sung, while not scrimping on the musical resources, unfolding a palette of incomparable harmonies and textures. Capriccio is without a doubt an overwhelming synthesis of all that the musician had been able to improve over his career, something of which he himself was conscious: proud of his work, he rejected the suggestion from his librettist to initiate a new project. Quite simply he could not see how he could do any better.

Capriccio Strauss,R

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Rompiendo con la ausencia de 8 años de Richard Strauss, la nueva producción de Capriccio supone también el estreno en el Teatro Real de la última ópera del c...

Capriccio, by Richard Strauss

Capriccio es la respuesta de Strauss a la pregunta que persigue a la ópera como forma de arte desde su nacimiento: ¿debe pesar más la música o la palabra? De...

Capriccio by Strauss, ut 11 jún 2019, Od (2019/2019), Režírované Christof Loy,, Dirigent Asher Fisch, Teatro Real, Madrid, Spain

Uznanie za predstavenie (Obsadenie & Tím )

Obsadenie

Posádka

Program, informácie a súhrn

Videá

Fotografie

Ďalšie čítanie

Termíny a miesta vystúpení

Miesto konania