Name: Czech Philharmonic Semyon Bychkov
Start: 2025-03-11T00:00:00.000Z
End: 2025-03-11T00:00:00.000Z
Location: Philharmonie de Paris

Admin

Cité de la Musique-Philharmonie

Conductor

Semyon Bychkov

Orchestra

Czech Philharmonic

Pianist

Marielle Labèque

Piano I

Katia Labèque

Piano II

Czech Philharmonic / Semyon Bychkov

Paris

France

Philharmonie de Paris

Grande Salle Pierre Boulez

Public

Concert

Oratorio / Orchestral

Symphony No. 5 in C-Sharp Minor

Concerto for two pianos No. 10 in E-flat Major, K. 365

Keerthi Raj

Approved

Bass

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Tenor

Singer

Baritone

Bass-baritone

Countertenor

Contralto

Mezzo-soprano

Soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Who better than Katia and Marielle Labèque—surely the most famous piano duo of our day—to render the spirit of Mozart’s sublime concerto? Mahler’s Fifth Symphony then draws us into a whole other world, with its opulence and taut expression.

English

Qui mieux que Katia et Marielle Labèque, sans doute le plus célèbre duo pianistique de notre époque, pour exalter l’esprit concertant mozartien ? C’est un tout autre monde, opulent et à l’expression tendue, qui sourd de la Symphonie n° 5 de Mahler.

Mozart n’aura écrit qu’un seul concerto pour deux pianos : une raison supplémentaire pour savourer cette partition de 1779 que le compositeur se destinait à lui-même et à sa sœur Nannerl. Preuve d’un indéniable attachement à son endroit, il y reviendra trois ans plus tard pour en enrichir l’orchestration. Depuis que Luchino Visconti a exploité avec génie tout ce que son Adagietto (destiné aux seules cordes) peut avoir de morbidité fin de siècle, la Symphonie n° 5 n’a jamais quitté les cimes de la popularité. L’ouvrage dans son entier exploite un éventail plus large de sentiments, de la Marche funèbre initiale au triomphal Rondo-Finale, en passant par l’esprit dansant de son vaste Scherzo.

français

Czech Philharmonic / Semyon Bychkov by Mahler, Mozart, þri 11 mar 2025, Frá (2025/2025), Hljómsveitarstjóri Semyon Bychkov, Philharmonie de Paris, Paris, France

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