Name: Der Freischütz, op. 77
Start: 2015-05-01T00:00:00.000Z
End: 2015-05-31T00:00:00.000Z
Location: Semperoper

Organization

Zanger

Baritone

Adrian Eröd

Ottokar

Bass

Albert Dohmen

Kuno

Soprano

Sara Jakubiak

Agathe

Christina Landshamer

Ännchen

Georg Zeppenfeld

Kaspar

Tenor

Michael König

Andreas Bauer Kanabas

Ein Eremit

Sebastian Wartig

Kilian

Dirigent

Christian Thielemann

Regisseur

Axel Köhler

Set designer

Arne Walther

Kostuum ontwerper

Katharina Weissenborn

Dramaturg

Werner Hintze

Semperoper Dresden

Orchestra

Staatskapelle Dresden

Duits

Der Freischütz, op. 77

Dresden

Duitsland

Semperoper

At the rostrum of the Staatskapelle, the conductor made an example: anyone who takes German Romanticism seriously will not fail because of it. Director Axel Köhler kept up.

05/03/2015 by Wilhelm Sinkovicz (Die Presse)
German romance is no longer possible. Or so it seems. The burdens of recent history weigh like a curse on the art of an entire epoch. The guild of directors in their arrogance no longer gives a clear view of the play because of all the comments and footnotes. The most recent new production of the Dresden Semperoper is therefore laudable: director Axel Köhler and conductor Christian Thielemann did not care about the everything relativizing etiquette of recent interpretation history, but took the libretto and score literally: A serious, musically even great implementation is there succeeded. It was equivalent to saving the honor of one of the most important German music theater works.

Sensitive listeners should have realized this from the opening bars of the overture. The Staatskapelle and Thielemann realize the art of interpretation at the very highest level; on the rope, without a net, so to speak. You eavesdrop together on what is between the lines, you fathom what sounds mean, you don't put phrase next to phrase neatly and neatly. One practices the long-forgotten art of dynamic and - above all - tempo-related contrast effects.

Der Freischütz Weber

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Broadcasting

Choreograaf

Chorus Director

Componist

Danser

Extra

Geluidsontwerper

Haar stylist

Illustrator

Koor

Koor meester

Librettist

Licht ontwerper

Orchestra Operations

Orkest

Other

Photographer

Poet

Répétiteur

Stage Manager

Teacher

Uitvoerend producent

Vertaler

Video ontwerper

Visagist

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Countertenor

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Axel Köhler’s production of Der Freischütz at the Dresden State Opera was described by Die Presse as “a minor miracle in Dresden”. In the words of the Salzbu...

Der Freischütz, op. 77 by Von Weber, ma. 11 mei 2015, Van (2015/2015), Geregisseerd door Axel Köhler,, Dirigent Christian Thielemann, Semperoper, Dresden, Duitsland

Voorstellingscredits (Cast & Productieteam )

Cast

Productieteam

Ensemble

Programma, Over & Synopsis

Video's

Foto's

Verder lezen

Uitvoeringsdata en -locaties

Speellocaties