Name: Die Zauberflöte
Start: 2016-01-16T00:00:00.000Z
End: 2016-01-30T00:00:00.000Z
Location: Teatro Real

Admin

Organization

Chanteur

Basse

Christof Fischesser

Zarastro

Rafał Siwek

Ténor

Joel Prieto

Tamino

Norman Reinhardt

Soprano

Ana Durlovski

La Reine de la Nuit

Kathryn Lewek

Sophie Bevan

Pamina

Sylvia Schwartz

Baryton

Joan Martín-Royo

Papageno

Gabriel Bermúdez

Ruth Rosique

Papagena

Elena Copons

Première dame

Gemma Coma-Alabert

Deuxième dame

Mikeldi Atxalandabaso

Monostatos

Direction d'orchestre

Ivor Bolton

Mise en scène

Barrie Kosky

Suzanne Andrade

Costumes

Esther Bialas

Décors

Airam Hernández

Premier prêtre

David Sánchez

Deuxième prêtre

Contralto

Nadine Weissmann

Troisième dame

Lumières

Diego Leetz

Direction de choeur

Andrés Máspero

Dramaturgie

Ulrich Lenz

L'orateur

Teatro Real de Madrid

Die Zauberflöte -  (La Flûte enchantée)

Madrid

Espagne

Teatro Real

Public

La Flûte enchantée

espagnol

anglais

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Chefdirigent Musiktheater

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Danse

Diffusion

En charge de la production

Extra

Illustrator

Livret

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Baryton-basse

Mezzo-soprano

Contre-ténor

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

The Audiovisual and Directorial departments of the Teatro Real explain the difficulties of a production like 'The Magic Flute', and how they have had to adjust their work processes to the maximum to be able to carry out such an innovative proposal. Follow us on Facebook:https://www.facebook.com/teatrorealma... Follow us on twitter: https://twitter.com/Teatro_Real

The magic flute: precision behind fantasy | Teatro Real 200 years 15/16

“The sun's rays hunt the night, destroying the powers of impostors”: this is how Mozart's most mysterious opera ends, premiered on September 30, 1791 in Vienna, just a few months before his death. The dual character of the work, in which Beethoven saw the summit that brought together all the forms of singing, from the fugue to the lied - not in vain did he reconcile cultured music with the singspiel, comedy and drama–, contains a message that summarizes all the ideals of the Enlightenment. Opera about common love and sublime love, wonderful story, popular comedy, philosophical fable, confrontation between Good and Evil embodied by light and darkness..., the mosaic created by the Salzburg musician fits together such disparate pieces with brilliant mastery. . The unusual staging by Australian director Barrie Kosky is an attempt to re-code the work with the language of the beginnings of cinema, in a tribute to Buster Keaton and his generation. Kosky returns to The Magic Flute its character as a popular, fun and at the same time stimulating show.

English

“Los rayos de sol cazan a la noche, desbaratando los poderes de los impostores”: así termina la ópera más misteriosa de Mozart, estrenada el 30 de septiembre de 1791 en Viena, tan sólo unos meses antes de su muerte. El carácter dual de la obra, en la que Beethoven veía la cima que reunía todas las formas del canto, desde la fuga al lied –no en vano concilia la música culta con el singspiel, la comedia y el drama–, encierra un mensaje que resume todos los ideales de la Ilustración. Ópera sobre el amor común y el amor sublime, cuento maravilloso, comedia popular, fábula filosófica, confrontación entre el Bien y el Mal encarnados por la luz y las tinieblas…, el mosaico que crea el músico de Salzburgo encaja piezas tan dispares con genial maestría. La insólita puesta en escena del director australiano Barrie Kosky supone un intento de volver a codificar la obra con el lenguaje de los inicios del cine, en un homenaje a Buster Keaton y su generación. Kosky devuelve a La flauta mágica su carácter de espectáculo popular, divertido y al mismo tiempo estimulante.

español

La Flûte enchantée by Mozart, lun. 25 janv. 2016, Du (2016/2016), Dirigé par Barrie Kosky, Suzanne Andrade,, Chef d'orchestre Ivor Bolton, Teatro Real, Madrid, Espagne

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Programme, À Propos & Synopsis

Vidéos

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles