Name: Director’s Series: Haydn’s Die Schöpfung The Creation: from Genesis to Milton’s Paradise Lost
Start: 2024-04-21T00:00:00.000Z
End: 2024-04-21T00:00:00.000Z
Location: National Presbyterian Church

Organization

Conductor

Dana Marsh

Singer

Soprano

Michele Kennedy

Gabriel

Bass

Edmund Milly

Raphael

Baritone

Adam

Tenor

Thomas Cooley

Uriel

Orchestra

Washington Bach Consort Orchestra

Others

Washington Bach Consort Chorus

Washington Bach Consort

Director’s Series: Haydn’s Die Schöpfung The Creation: from Genesis to Milton’s Paradise Lost

Washington D.C.

United States

National Presbyterian Church

Director’s Series: Haydn’s Die Schöpfung The Creation: from Genesis to Milton’s Paradise Lost: Die Schöpfung, Hob. XXI:2 Haydn,FJ

Public

The Creation

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Mezzo-soprano

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Completed five decades after Bach’s death, Die Schöpfung (The Creation) offers a significant milestone in the development of the oratorio genre. Strongly influenced by Handel’s definitive examples of the high Baroque, Haydn’s Creation conveys Gottfried van Swieten’s German libretto in sharp musical focus, with vivid characterizations of the creation story described in the book of Genesis. Beginning with the captivating orchestral representation of Chaos, we experience a world brought into beautiful order in seven days, culminating with the union of Adam and Eve. This epic work is best experienced live, sung in the language of its premiere performance (German) and played on period instruments of the Classical era, allowing for the deepest possible level of connection with the musical drama.

Michele Kennedy, soprano 

Thomas Cooley, tenor

Edmund Milly, bass

 

Running time: TBA


Join us for Talking Bach at 3 p.m. The series of free pre-concert lectures by noted Bach scholar, Michael Marissen, are presented one hour before Director’s Series performances.

English

Director’s Series: Haydn’s Die Schöpfung The Creation: from Genesis to Milton’s Paradise Lost by Haydn, Sun 21 Apr 2024, From (2024/2024), Conductor Dana Marsh, National Presbyterian Church, Washington D.C., United States

Performance credits (Cast & Crew )

Cast

Ensemble

Programme, About & Synopsis

Photos

Further reading

Performance Dates & Venues

Venues