Name: Faust
Start: 2022-11-12T00:00:00.000Z
End: 2022-11-25T00:00:00.000Z
Location: Staatsoper

Organization

Stage director

Andreas Homoki

Set designer

Wolfgang Gussmann

Costume designer

Lighting designer

Franck Evin

Conductor

Alexander Joel

Chorus master

Christian Günther

Tenor

Pavel Černoch

Faust

Bass

Ildebrando D'Arcangelo

Mephistopheles

Baritone

Alexey Bogdanchikov

Valentine

Chao Deng

Wagner

Soprano

Olga Peretyatko

Marguerite

Mezzo-soprano

Kady Evanyshyn

Siebel

Renate Spingler

Martha Schwertlein

Staatsoper Hamburg

Others

Hamburg State Opera Choir

Orchestra

Philharmonic State Orchestra Hamburg

franska

Hamburg

Germany

Staatsoper

Großes Haus

Faust Gounod

Public

Private

þýska

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Countertenor

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

From an early age Charles Gounod was attracted to Goethe's »Faust«. For his opera composition, however, he was only interested in the love story between Faust and Margarethe and the figure of Mephisto, who he saw as the embodiment of everything evil and terrible. Thanks to Gounod's skilful staging, impressive images follow one another, forming a perfect balance between dramatic climaxes and lyrical passages. After its premiere in Paris in 1859, »Faust« soon became a worldwide success. The work has been performed nearly 3,000 times at the Opéra National de Paris. Staging: Andreas Homoki Stage design and costumes: Wolfgang Gussmann Lighting: Franck Evin The Hamburg Philharmonic will play. The choir of the Hamburg State Opera sing

From an early age, Charles Gounod was attracted to Goethe's Faust. For his opera composition, however, he was only interested in the love story between Faust and Margarethe and the figure of Mephisto, who he saw as the embodiment of everything evil and terrible. Thanks to Gounod's skilful staging, impressive images follow one another, forming a perfect balance between dramatic climaxes and lyrical passages. After its premiere in Paris in 1859, "Faust" soon became a worldwide success. The work has been performed nearly 3,000 times at the Opéra National de Paris.

English

Schon in jungen Jahren fühlte sich Charles Gounod von Goethes „Faust“ angezogen. Für seine Opern-Komposition interessierte ihn jedoch nur die Liebesgeschichte zwischen Faust und Margarethe sowie die Figur des Mephisto, der für ihn als Verkörperung alles Bösen und Schrecklichen erschien. Dank Gounods geschickter Szenenführung reihen sich beeindruckende Bilder aneinander, die eine perfekte Balance zwischen dramatischen Höhepunkten und lyrischen Passagen bilden. Nach der Uraufführung im Jahr 1859 in Paris entwickelte sich „Faust“ bald zu einem Welterfolg. An der Opéra National de Paris wurde das Werk bis heute nahezu 3000 Mal aufgeführt.

Deutsch

Faust by Gounod, fös 25 nóv 2022, Frá (2022/2022), Leikstýrt af Andreas Homoki,, Hljómsveitarstjóri Alexander Joel, Staatsoper, Hamburg, Germany

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