Name: Gräfin Mariza
Start: 2021-09-25T00:00:00.000Z
End: 2022-04-30T00:00:00.000Z
Location: Štátna Opera

Organization

Sångare

Tenor

Peter Malý

Endrődy-Wittenburg Tasziló gróf

Soprano

Helena Becse Szabó

Marica grófnő

Baritone

Matúš Bujňák

Populescu Dragomir Móric herceg

Anton Baculík

Báró Zsupán Kálmán

Ivana Kurtulíková

Lisa

Bass

Karol Kurtulík

Liebenberg Károly István

Carmen Ferencei

Eržika

Oľga Hromadová

Princess Rosenthal

Štefan Šafárik

Johann Penischek

Lenka Rúriková

Ilonka

Slavomíra Kaprálová

2  Ladies

Igor Kúchen

Czech

Regissör

Tomáš Pilař

Dirigent

Marián Vach

Igor Bulla

Kostym designer

Aleš Valášek

Scenograf

Koreograf

Michal Majer

Dramaturg

Alžbeta Lukáčová

Körledare

Iveta Popovičová

Slovak text

Ladislav Holoubek

Edit text

Concert master

Oldrich Husak

State Opera Banská Bystrica

Orchestra

Choir, ballet and orchestra of the State Opera

slovakiska

Gräfin Mariza

Banská Bystrica

Slovakien

Štátna Opera

Gräfin Mariza Kálmán,E

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chorus Director

Dansare

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Kör

Librettist

Ljud designer

Ljus designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Repetitör

Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Mezzo-soprano

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Emmerich Kálmán, together with Lehár and Strauss, is one of the most prominent representatives of the Viennese operetta, which is associated with his most famous works: Princess Čardášová (1915), Countess Marica (1924) and Circus Princess (1926). The strength of Kálmán's compositions lay mainly in the ability to adapt a folk element to the environment of the operetta, especially in the form of a cardas. It was this dance that perfectly suited the operetta manager and became Kálmán's specialty. At the same time, he was able to expand his means of expression with elements of exotics (popular not only in the operetta genre) or jazz. Countess Marica is associated with the later period of Kálmán's work. It was named "the most Hungarian operetta" and is one of the last major classics in its genre. Dejovo transports us to the Hungarian estate of the beautiful and rich Countess Marice until the beginning of the 20th century. This is where Count Tasilo, who is impoverished, is hired as an administrator. He wants to make money on his sister's dowry. As usual, love erupts among young people, but it is complicated by several knots and vicissitudes, but in the end the story ends happily. In Theatri an der Wien, where it premiered, people went crazy: every single musical issue of the work became a hit. Operetta in 3 acts in Slovak Premiere: 08.12.2017, 09.12.2017 Music production: Marián Vach Conductor: Igor Bulla Director: Tomáš Pilař Choirmaster: Iveta Popovičová Choreography: Michal Majer Stage design: Aleš Valášek Costumes: Aleš Valášek Libretto: Julius Brammer, Alfred Grünwald Slovak text: Ladislav Holoubek Text editing: Alžbeta Lukáčová Dramaturgy: Alžbeta Lukáčová Countess Marica: Katarína Procházková, Helena Becse Szabo Count Tasilo: Dušan Šimo, Peter Malý Líza:

Emmerich Kálmán, together with Lehár and Strauss, is one of the most prominent representatives of the Viennese operetta, which is associated with his most famous works: Princess Čardášová (1915), Countess Marica (1924) and Circus Princess (1926). The strength of Kálmán's compositions lay mainly in the ability to adapt a folk element to the environment of the operetta, especially in the form of a cardas. It was this dance that perfectly suited the operetta manager and became Kálmán's specialty. At the same time, he was able to expand his means of expression with elements of exotics (popular not only in the operetta genre) or jazz. Countess Maricais associated with the later period of Kálmán's work. It was named "the most Hungarian operetta" and is one of the last major classics in its genre. Dejovo transports us to the Hungarian estate of the beautiful and rich Countess Marice until the beginning of the 20th century. This is where Count Tasilo, who is impoverished, is hired as an administrator. He wants to make money on his sister's dowry. As usual, love erupts among young people, but it is complicated by several knots and vicissitudes, but in the end the story ends happily. In Theatri an der Wien, where it premiered, people went crazy: every single musical issue of the work became a hit.

English

Gräfin Mariza by Kálmán, lör 30 apr 2022, Från (2021/2022), Regisserad av Tomáš Pilař,, Dirigent Marián Vach, Igor Bulla, Štátna Opera, Banská Bystrica, Slovakien

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