Name: Idomeneo
Start: 2024-02-20T00:00:00.000Z
End: 2024-03-15T00:00:00.000Z
Location: Sydney Opera House

Organization

Opera Australia

Victorian Opera

Costume designer

Anna Cordingley

Stage director

Lindy Hume

Set designer

Michael Yeargan

Video designer

David Bergman

Lighting designer

Verity Hampson

Conductor

Johannes Fritzsch

Tenor

Michael Schade

Idomeneo

Countertenor

Caitlin Hulcup

Idamante

Soprano

Celeste Lazarenko

Ilia

Emma Pearson

Elettra

John Longmuir

Arbace

Kanen Breen

High priest of Neptune

Bass

Richard Anderson

The voice

Catherine Pettman

Rummin Productions

Others

Opera Australia Chorus

Orchestra

Australian Opera and Ballet Orchestra

Sian Sharp

italiera

Sydney City

Australia

Sydney Opera House

Joan Sutherland Theatre

Idomeneo Mozart

Public

Private

ingelesa

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Chorus master

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Contralto

Singer

Bass-baritone

Mezzo-soprano

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Rooted in the ancient mythology of the Trojan War’s aftermath, Mozart’s epic opera remains a story for our time. It explores human themes we recognise today: the fallout of war, natural catastrophe, grief, love and human frailty.

In Lindy Hume’s new production, the human emotion and mythic power of the drama is reflected in an immersive set evoking the epic seas, skies and rugged coastline of ancient Crete.

A vivid showpiece of the composer’s power, brilliance, sweeping scope and idealism, Mozart wrote Idomeneo when he was just 25 years old.

“Far from the sea, a storm rages within me, fiercer and far more painful.” – Idomeneo
Drowning at sea in a vicious storm, the King of Crete makes a terrible vow to Neptune. To save his ship and his men, he will sacrifice the first human life he encounters on land. Bound by his rash promise, Idomeneo comes ashore and meets his own son. The choice he makes next sets the vengeance of the gods upon the people of Crete.

Rooted in the ancient mythology of the Trojan War’s aftermath, Mozart’s epic opera remains a story for our time. It explores human themes we recognise today: the fallout of war, natural catastrophe, grief, love and human frailty.

In Lindy Hume’s new production, the human emotion and mythic power of the drama is reflected in an immersive set evoking the epic seas, skies and rugged coastline of ancient Crete.

A vivid showpiece of the composer’s power, brilliance, sweeping scope and idealism, Mozart wrote Idomeneo when he was just 25 years old. Renowned Mozart specialist Johannes Fritzsch conducts a brilliant cast featuring German-Canadian tenor Michael Schade making his Opera Australia debut in the title role alongside talented Australians Caitlin Hulcup, Celeste Lazarenko and Emma Pearson.

English

Idomeneo by Mozart, lr. 24 ots. 2024, Noiztik (2024/2024), Zuzendaria Lindy Hume,, Zuzendaria Johannes Fritzsch, Sydney Opera House, Sydney City, Australia

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