Name: Il barbiere di Siviglia
Start: 2018-04-21T00:00:00.000Z
End: 2018-04-21T00:00:00.000Z
Location: Slovak National Theatre Historical Building

Organization

Direction d'orchestre

Rastislav Stur

Mise en scène

Roman Polák

Décors

Pavel Borák

Costumes

Peter Čanecký

Chorégraphie

Stanislava Vlčeková

Direction de choeur

Pavel Procházka

Chanteur

Ténor

Martin Gyimesi

Le Comte Almaviva

Basse

Jozef Benci

Bartolo

Mezzo-soprano

Stepanka Pucalkova

Rosine

Baryton

Aleš Jenis

Figaro

Peter Mikuláš

Basilio

Soprano

Eva Rampáčková

Berta

František Ďuriač

Fiorello

Igor Pasek

Captain

Martin Smolnický

L'Eveillé

Ivan Martinka

Un Officier

Slovak National Theatre

italien

Il barbiere di Siviglia -  (Le barbier de Séville)

Bratislava

Slovaquie

Slovak National Theatre Historical Building

Il barbiere di Siviglia Rossini

Public

Le barbier de Séville

slovaque

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Chefdirigent Musiktheater

Choeur

Chorus Director

Coach vocal

Coiffure

Compositeur

Danse

Diffusion

Dramaturgie

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Contre-ténor

Baryton-basse

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

We divide operas according to various criteria: tragic and comic, belcant, for some we emphasize that they are musical dramas, others bear in their name the place of their origin, such as the great French opera. If we were to responsibly include Rossini's work Barbier of Seville, the most apt designation would be - hunting. Indeed: in this comedy, the author brilliantly plays out comic situations, offers us a diverse range of human types that you just can't find, and presents all the storylines to the viewer as properly tangled spaghetti with a dose of spicy ingredients! Under his masterful hands is the story of Rosina's inmate, who is jealously guarded by her tutor Dr. Bartolo, and who he still gets, with the help of the fucking barber Figaro, young Count Almaviva - well, this seemingly ordinary story turns into the fireworks of original musical and situational ideas under the hands of Master Rossini. And the Rossini huncut, who often plays with completely banal musical forms and techniques without any embarrassment, does so with such charm that it has not hindered anyone for two hundred years and on all the opera stages in the world!

English

Le barbier de Séville by Rossini, sam. 21 avr. 2018, Du (2018/2018), Dirigé par Roman Polák,, Chef d'orchestre Rastislav Stur, Slovak National Theatre Historical Building, Bratislava, Slovaquie

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles