Name: Il barbiere di Siviglia
Start: 2013-01-18T00:00:00.000Z
End: 2013-01-20T00:00:00.000Z
Location: Teatro Municipale Valli

Admin

Organization

Tenor

Enrico Iviglia

The Count of Almaviva

Bass

Filippo Polinelli

Doctor Bartolo

Mezzo-soprano

Natalia Gavrilan

Rosina

Baritone

Christian Senn

Figaro

Simon Lim

Don Basilio

Soprano

Na Hyun Yeo

Berta

Davide Pelissero

Fiorello

An officer

Conductor

Francesco Angelico

Stage director

Damiano Michieletto

Eleonora Gravagnola

Costume designer

Carla Teti

Chorus master

Alfonso Caiani

Set designer

Lighting designer

Alessandro Carletti

I Teatri di Reggio Emilia

Teatro Comunale di Modena

Teatro Valli di Reggio Emilia

Il barbiere di Siviglia -  (The Barber of Seville)

Reggio Emilia

Italy

Teatro Municipale Valli

Private

Public

The Barber of Seville

Approved

This direction is a game of imagination and evocation. The spaces of history are always evoked, never represented. The possibility of evoking the presence of something on the stage is one of the fascinating aspects of the theater. So I tried to use normal and simple objects and make them become the only ingredient of the scenography. The result is that I found myself with a stage where twenty red chairs, a blue staircase, umbrellas and some huge balloons were all that was needed. The characters have exploded in their physical and caricatured characteristics. Therefore, here are some fantastic costumes, of pure imagination, with marked references to animalistic features, almost from a Commedia dell'Arte. The overture begins with a journey by train. A journey that seems to start in a normal way, without any unexpected events, but at a certain point the rhythm of the train begins to grow, grows, takes off and all the quiet passengers are involuntarily catapulted into the work, becoming the protagonists of this surreal dimension. The leitmotif of the journey constitutes the narrative frame within which the libretto of the opera breathes, animated by scenic inventions that touch a circus dimension and where everything that happens is supported by a choreographic vision of relationships ". Damiano Michieletto

English

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