Name: Il barbiere di Siviglia
Start: 2014-09-26T00:00:00.000Z
End: 2014-10-11T00:00:00.000Z
Location: Opernhaus

Admin

Organization

Singer

Tenor

Edgardo Rocha

The Count of Almaviva

Dmitry Ivanchey

Bass

Renato Girolami

Doctor Bartolo

Mezzo-soprano

Anna Goryachova

Rosina

Baritone

Levente Molnár

Figaro

Wenwei Zhang

Don Basilio

Soprano

Rebeca Olvera

Berta

Yuriy Tsiple

Fiorello

Roberto Lorenzi

An officer

Conductor

Enrique Mazzola

Stage director

Cesare Lievi

Costume designer

Marina Luxardo

Set designer

Mario Botta

Opernhaus Zürich

Italian

Il barbiere di Siviglia -  (The Barber of Seville)

Zurich

Switzerland

Opernhaus

The Barber of Seville

German

English

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Il barbiere di Siviglia Rossini

Il barbiere di Siviglia
Liebe, List und Geld – das sind die Zutaten, aus denen Gioachino Rossini seine populärste Opera buffa Il barbiere di Siviglia gemixt hat. Die Geschichte geht so: Zwei junge Leute lieben sich (der Graf Almaviva und Rosina), zwei Alte versuchen, diese Liebe zu hintertreiben (Rosinas Vormund Dr. Bartolo, der es auf ihre Mitgift abgesehen hat, und der Intrigant Don Basilio), ergänzt von einem gewitzten Kopf, der sich nicht nur mit Frisuren bestens auskennt, sondern auch in Liebesangelegenheiten als allererste Adresse gilt (Figaro). Seit der Uraufführung von 1816 hat Rossinis Komödie, die auf Beaumarchais’ gleichnamigem Theaterstück basiert, nichts von ihrer Frische eingebüsst. Unmöglich, sich der rhythmischen Sogkraft, den Crescendo-Spiralen, den irrwitzigen Ensembles oder Arien-Highlights wie Figaros Zungenbrecher Largo al factotum zu entziehen! Für unsere Wiederaufnahme kommt als Almaviva Maxim Mironov nach Zürich, der sich insbesondere als gefeierter Rossini-Tenor einen Namen gemacht hat. Seine Rosina ist die italienische Mezzosopranistin Serena Malfi. Als gewitzter Figaro spinnt der Bariton Andrzej Filonczyk die Intrigen, die zum Happy End führen. Die musikalische Leitung hat der feinfühlige Könner im italienischen Repertoire Enrique Mazzola.

Deutsch

The barber of Siviglia
Love, cunning and money - these are the ingredients from which Gioachino Rossini made his most popular opera buffa Il barbiere di Sivigliahas mixed. The story goes like this: two young people love each other (Count Almaviva and Rosina), two old people try to thwart this love (Rosina's guardian Dr. Bartolo, who wants her dowry, and the schemer Don Basilio), supplemented by a shrewd head who not only knows his way around hairstyles, but is also the first address for love affairs (Figaro). Since its premiere in 1816, Rossini's comedy, based on Beaumarchais' play of the same name, has lost none of its freshness. Impossible to surrender to the rhythmic pull, the crescendo spirals, the crazy ensembles or aria highlights like Figaro's tongue twister Largo al factotumto withdraw! For our revival, Maxim Mironov, who has made a name for himself in particular as a celebrated Rossini tenor, comes to Zurich as Almaviva. His Rosina is the Italian mezzo-soprano Serena Malfi. As the witty Figaro, baritone Andrzej Filonczyk spins the intrigues that lead to a happy ending. The musical director is the sensitive expert in the Italian repertoire Enrique Mazzola.

The Barber of Seville by Rossini, Sat 11 Oct 2014, From (2014/2014), Directed by Cesare Lievi,, Conductor Enrique Mazzola, Opernhaus, Zurich, Switzerland

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