Organization

Conductor

Bettina Rohrbeck

Stage director

Lars Franke

Oper Oder-Spree

Il Trionfo del Tempo e del Disinganno -  (The Triumph of Time and Truth)

Beeskow

Germany

Il Trionfo del Tempo e del Disinganno Händel

Public

The Triumph of Time and Truth

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Soprano

Bass

Contralto

Baritone

Countertenor

Tenor

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

The pursuit of imperishable beauty is at the heart of Georg Friedriech Handel's secular oratorio. Between time and truth, between beauty and pleasure, a competition breaks out for the true content and true beauty of life. Even if the title clarifies the outcome of this competition, the question remains whether beauty must succumb to time.

The allegories of time, truth, pleasure and beauty compete against each other. In the struggle for identity and fulfillment, a moral drama unfolds around Jene. Handel's music gives each individual allegory a deep humanity and allows characters to emerge in pictorial intimacy.

The first version of the entertaining oratorio was written in Rome in 1707 with the text by Cardinal Benedetto Pamphili. It was later performed in London in 1737, with the play being significantly expanded and reworked. Our performance is based on the English version of the oratorio from 1757.
Directed by Lars Franke

 

performances

English

The Triumph of Time and Truth by Händel, Πεμ 28 Ιουλ 2022, Aπό (2022/2022), Σκηνοθετημένο από Lars Franke,, αγωγός Bettina Rohrbeck

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