Name: St. John Passion, BWV 245
Start: 2022-04-06T00:00:00.000Z
End: 2022-04-06T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Singer

Mezzo-soprano

Paula Murrihy

Contralto

Conductor

Mark Padmore

Soprano

Mary Bevan

Tenor

Laurence Kilsby

Evangelist

Bass

Raoul Steffani

Théâtre des Champs-Elysées

Orchestra

Orchestra of the Age of Enlightenment

Others

Choir of the Age of Enlightenment

tysk

St. John Passion, BWV 245 -  (St John Passion)

Paris

France

Théâtre

Johannes-Passion Bach,JS

Public

St John Passion

fransk

engelsk

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

The setting to music of the last days of the life of Christ is a tradition that begins at the beginning of Christendom. The first manuscript sources dating back to the IX th century. The genre has changed little until XIV th century mainly the gradual introduction of the differentiation of roles (the narrator, Christ ...). This will be through the Lutheran Reformation in the early sixteenth th century he wins acclaim, both by requiring that the text is sung, not in Latin but in German in order to be understood by everyone, and above all, under the influence of Italian opera, by developing a much richer polyphonic form, now alternating recitatives, arias and large choral pages. The Passion according to Saint John,composed in 1723-24 for Leipzig was the first large-scale work written for this city where Bach had recently settled and for which he wrote a good half of his cantatas as well as the Christmas Oratorio . Even today, this majestic page, which strikes by the beauty of the arias entrusted to the soloists and by the intensity of its choral parts, is considered to be one of the peaks of the composer's corpus.

English

La mise en musique des derniers jours de la vie du Christ est une tradition qui débute au début de la chrétienté. Les premières sources manuscrites remontent au IXe siècle. Le genre évolue peu jusqu’au XIVe siècle avec principalement l’introduction progressive de la différenciation des rôles (le narrateur, le Christ...). Ce sera au travers de la réforme luthérienne au début du XVIe siècle qu’il gagne ses lettres de noblesse, à la fois en imposant que le texte soit chanté, non plus en latin, mais en allemand afin d’être compréhensible par tous, et surtout, sous l’influence de l’opéra italien, en développant une forme polyphonique beaucoup plus riche faisant désormais alterner récitatifs, airs et grandes pages chorales. La Passion selon Saint Jean, composée en 1723-24 pour Leipzig fut la première œuvre de vaste dimension écrite pour cette ville où Bach s’était installé depuis peu et pour laquelle il écrira une bonne moitié de ses cantates ainsi que l’Oratorio de Noël. Aujourd’hui encore, cette page majestueuse, qui frappe par la beauté des airs confiés aux solistes et par l’intensité de ses parties chorales, est considérée comme l’un des sommets du corpus du compositeur.

français

St John Passion by Bach, J. S., on. 06 april 2022, Fra (2022/2022), Dirigent Mark Padmore, Théâtre des Champs-Elysées, Paris, France

Forestillingkreditter (Ensemble & produksjonsteam )

Cast

Ensemble

Program, Informasjon & Sammendrag

Bilder

Videre lesning

Forestillingsdatoer og spillesteder

Sted