Name: La sonnambula
Start: 2020-02-09T00:00:00.000Z
End: 2020-02-13T00:00:00.000Z
Location: Kodály Centre

Admin

Organization

Zanger

Bass

Mirco Palazzi

Il conte Rodolfo

Soprano

Zuzana Marková

Amina

Tenor

Konu Kim

Elvino

Eszter Zemlényi

Lisa

Mezzo-soprano

Krisztina Simon

Teresa

Attila Dobak

Alessio

Alexandra Kozmér

Myrtha

Dirigent

Riccardo Frizza

Regisseur

Csaba Némedi

Set designer

Éva Szendrényi

Kostuum ontwerper

Gergely Zöldy

Koor meester

Máté Szabó Sipos

Assistant Director

Etelka Polgár

Miklós Máriusz Bejan

Un notaro

Müpa Budapest

Others

Debrecen Kodály Choir

Pannon Philharmonic Pécs

Zsolnay Örökségkezelő

La sonnambula

Pécs

Hongarije

Romanticism, the dominant stylistic movement of the 19th century, had a proclivity for exotic themes. Although this might seem slightly strange today, these included somnambulism: the genetically determined disorder of walking around during the stage of deep sleep. The artistic imagination of the 30-year-old Vincenzo Bellini was also seized by the subject of 'sleepwalking' as he composed La sonnambula over the winter of 1830/31. This work is a celebrated part of the bel canto opera repertoire, composed toward the end of Bellini's short life and career, immediately preceding Norma, which he completed in the same year. The 20th-century rediscovery of this piece that had enjoyed success in the 19th century started with Luchino Visconti's 1955 production at La Scala, with Maria Callas in the leading role. The work emerged from the general widespread fashion of the time of creating works for the stage dealing with sleepwalking, and specifically a ballet by Ferdinand Hérold that was premièred in Paris in 1827; the libretto was written by Eugène Scribe, the versatile 'wild card' of the opera world. This served as the inspiration for Bellini's work. The composer wrote the music to a libretto by Felice Romani, itself based on Scribe's version.
The star of Müpa Budapest's production is the Czech coloratura soprano Zuzana Marková, who has enjoyed many triumphs with the Italian repertoire, and with bel canto operas in particular. Known for her portrayals of Lucia and Violetta, she has also been celebrated in the roles of Manon and Donna Anna.
The music director for the production, Riccardo Frizza, is a genuine opera conductor and a specialist in the Italian repertoire who is a recurring guest at Milan's La Scale, Venice's La Fenice, the Opéra National de Paris and New York's Metropolitan Opera.

The performance is a co-production presented by Müpa Budapest, the Pannon Philharmonic and Zsolnay Örökségkezelő Nonprofit Kft.

This recording was made at a concert held at Müpa Budapest on 9 February 2020.

Kodály Centre

Public

Private

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Broadcasting

Chefdirigent Musiktheater

Choreograaf

Chorus Director

Componist

Danser

Dramaturg

Extra

Geluidsontwerper

Haar stylist

Illustrator

Koor

Librettist

Licht ontwerper

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Orkest

Other

Photographer

Poet

Répétiteur

Stage Manager

Teacher

Uitvoerend producent

Vertaler

Video ontwerper

Visagist

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

A Start Plusz vendégei Némedi Csaba rendező és Zemlényi Eszter operaénekes.IRATKOZZON FEL CSATORNÁNKRA: https://goo.gl/uo2kimLÁTOGASSON EL OLDALUNKRA: http:/...

Az alvajáró a Müpában

This work is a celebrated part of the bel canto opera repertoire, composed toward the end of Bellini's short life and career, immediately preceding Norma, which he completed in the same year. The 20th-century rediscovery of this piece that had enjoyed success in the 19th century started with Luchino Visconti's 1955 production at La Scala, with Maria Callas in the leading role. The work emerged from the general widespread fashion of the time of creating works for the stage dealing with sleepwalking, and specifically a ballet by Ferdinand Hérold that was premièred in Paris in 1827; the libretto was written by Eugène Scribe, the versatile 'wild card' of the opera world. This served as the inspiration for Bellini's work. The composer wrote the music to a libretto by Felice Romani, itself based on Scribe's version.
The star of Müpa Budapest's production is the Czech coloratura soprano Zuzana Marková, who has enjoyed many triumphs with the Italian repertoire, and with bel canto operas in particular. Known for her portrayals of Lucia and Violetta, she has also been celebrated in the roles of Manon and Donna Anna.
The music director for the production, Riccardo Frizza, is a genuine opera conductor and a specialist in the Italian repertoire who is a recurring guest at Milan's La Scale, Venice's La Fenice, the Opéra National de Paris and New York's Metropolitan Opera.

The performance is a co-production presented by Müpa Budapest, the Pannon Philharmonic and Zsolnay Örökségkezelő Nonprofit Kft.

English

La sonnambula by Bellini, di. 11 feb 2020, Van (2020/2020), Geregisseerd door Csaba Némedi,, Dirigent Riccardo Frizza, Kodály Centre, Pécs, Hongarije

Voorstellingscredits (Cast & Productieteam )

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Productieteam

Ensemble

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Verder lezen

Uitvoeringsdata en -locaties

Speellocaties