Name: Le comte Ory
Start: 2011-11-17T00:00:00.000Z
End: 2012-05-28T00:00:00.000Z
Location: Opera Theatre

Organization

Direction d'orchestre

Didier Talpain

Mise en scène

Emmanuelle Cordoliani

Décors

Todor Ignatov

Lumières

Vincent Muster

Costumes

Julie Scobeltzine

Chanteur

Ténor

Valeriy Georgiev

Le Comte Ory

Basse

Geo Chobanov

Le Gouverneur

Delyan Slavov

Mezzo-soprano

Vyara Zhelezova

Isolier

Blagovesta Stateva

Baryton

Plamen Dimitrov

Raimbaud

Svilen Nikolov

Soprano

Irina Zhekova

La Comtesse Adèle de Formoutiers

Iva Ionova

Silvia Angelova

Dame Ragonde

Galina Velikova

Alice

State Opera Varna

Le comte Ory -  (Le Comte Ory)

Varna

Bulgarie

Opera Theatre

Le comte Ory Rossini

Public

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Danse

Diffusion

Direction de choeur

Dramaturgie

En charge de la production

Extra

Illustrator

Livret

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Contre-ténor

Baryton-basse

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

In 1822, only 30 years old, but already widely recognized as an idol of the Italian National Opera, Gioachino Rossini met Ludwig van Beethoven - 51 years old, deaf, quarrelsome and in very poor health.
Communicating with him by writing (because he could not hear him), Beethoven remarked: "Ah, Rossini! So you are the one who created The Barber of Seville! Congratulations! As long as Italian opera exists, I will continue to play. Never try to write anything other than opera buff - any other style would be violence against your own nature "...

At the age of 38, Gioachino Rossini already has 38 operas behind him. "Count Ori" together with "Wilhelm Tell" is one of the last among them. It was created in 1828 as part of the musical material in it is borrowed from another of his works - "Journey through Reims", written three years earlier for the coronation of the French king - Charles H.

"Count Ori" is a comic opera and recreates a humorous story, but there are still many differences with the modern genre of "opera comedian": while the latter is usually built on short lyrical numbers and spoken dialogues, "Count Ori" contains "highly sustained, even massive musical forms ”, accompanied by an accompanying recitative.

And although here we find Rossini's characteristic floral orchestration, her short overture is rather strange, ending with a sigh-like pizzicato in string instruments.

The premiere of "The Count of Orie" was on August 20, 1828 at the Paris Opera under the direction of Francois Antoine Habenek. She once again brought Rossini fame, giving him endless popularity for 20 years.
A few months after the Paris performance, the opera was staged at the Royal Opera House in London, in Italian!

Two years later, on December 16, 1830, it premiered in New Orleans at the Théâtre d'Orléans, and on August 22, 1831, in New York.

English

Le Comte Ory by Rossini, lun. 28 mai 2012, Du (2011/2012), Dirigé par Emmanuelle Cordoliani,, Chef d'orchestre Didier Talpain, Opera Theatre, Varna, Bulgarie

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles