Name: L'Orfeo
Start: 2022-07-22T00:00:00.000Z
End: 2022-07-22T00:00:00.000Z
Location: Hôtel-Dieu Museum - Hospices de Beaune

Organization

Festival International d'Opéra Baroque de Beaune

Director(a) orquestal

Stéphane Fuget

Cantante

Tenor

Valerio Contaldo

Orfeo

Soprano

Gwendoline Blondeel

Eurídice

Eva Zaïcik

La mensajera

Marie Perbost

Proserpina

Bajo

Luigi De Donato

Caronte

Luc Bertin-Hugault

Plutone

Cyril Auvity

Apolo

Paul Figuier

1. Pastor

Orchestra

Les Epopées

L'Orfeo -  (Orfeo)

Beaune

Francia

Hôtel-Dieu Museum - Hospices de Beaune

L'Orfeo Monteverdi

Public

Válido

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chefdirigent Musiktheater

Chorus Director

Compositor(a)

Coreógrafo(a)

Coro

Director(a) coral

Director(a) de escena

Diseñador(a) de iluminación

Diseñador(a) de sonido

Diseñador(a) de vestuario/Figurinista

Diseñador(a) de video

Dramaturgia

Entrenador(a) vocal

Escenógrafo(a)

Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Orchestra Operations

Orquesta

Otro

Peinado

Photographer

Poet

Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Traductor(a)

Wig & Makeup Designer

Writer

Writing and performance

Barítono

Mezzosoprano

Contratenor

Bajobarítono

Contralto

Alto

Continuo

Papel de hablante

Papel mudo

Vocalista infantil

New production of the festival (as part of the Monteverdi Trilogy over 3 years directed by Stéphane Fuget, new conductor in residence)

After the great success won last summer with the public and the critics in the Return of Ulysses to his Homeland directed by Stéphane Fuget (see reviews page 28), the latter continues the Monteverdian trilogy with the Orfeo. The Orfeo is the first masterpiece in the history of opera and truly marks its birth. At its first performance in Mantua in 1607, the success was phenomenal. The libretto by Striggio, a model of poetry, recounts the death of Euridice, wife of Orfeo, bitten by a snake. Orfeo goes in search of him to the Underworld. By the virtues of the beauty of his singing, he charms the infernal monsters and manages to obtain from Pluto and Proserpina the release of his beloved. The gods agree to let Euridice go on the condition that Orfeo does not look back before he comes into the light of day. But, yielding to Euridice's entreaties, Orfeo turns around and loses her again. Monteverdi makes striking use of the contrasts of the different colors of the orchestra for dramatic purposes, notably through the use of trombones. He obtains by the simplest means, an extraordinary musical intensity. The arias, of great emotional force, overwhelm us. Thus, Orfeo's lament at the death of Euridice “Tu se' morta, mia vita” or “Rendetemi il mio ben, Tartarei Numi?” his magnificent plea for the release of Euridice. We are very happy to welcome Valerio Contaldo, in the role of Orfeo, but also three admirable young talents (Gwendoline Blondeel, Eva Zaïcik and Marie Perbost) in the main roles of Euridice, the Messenger and Proserpine. Orfeo turns around and loses her again. Monteverdi makes striking use of the contrasts of the different colors of the orchestra for dramatic purposes, notably through the use of trombones. He obtains by the simplest means, an extraordinary musical intensity. The arias, of great emotional force, overwhelm us. Thus, Orfeo's lament at the death of Euridice “Tu se' morta, mia vita” or “Rendetemi il mio ben, Tartarei Numi?” his magnificent plea for the release of Euridice. We are very happy to welcome Valerio Contaldo, in the role of Orfeo, but also three admirable young talents (Gwendoline Blondeel, Eva Zaïcik and Marie Perbost) in the main roles of Euridice, the Messenger and Proserpine. Orfeo turns around and loses her again. Monteverdi makes striking use of the contrasts of the different colors of the orchestra for dramatic purposes, notably through the use of trombones. He obtains by the simplest means, an extraordinary musical intensity. The arias, of great emotional force, overwhelm us. Thus, Orfeo's lament at the death of Euridice “Tu se' morta, mia vita” or “Rendetemi il mio ben, Tartarei Numi?” his magnificent plea for the release of Euridice. We are very happy to welcome Valerio Contaldo, in the role of Orfeo, but also three admirable young talents (Gwendoline Blondeel, Eva Zaïcik and Marie Perbost) in the main roles of Euridice, the Messenger and Proserpine. Monteverdi makes striking use of the contrasts of the different colors of the orchestra for dramatic purposes, notably through the use of trombones. He obtains by the simplest means, an extraordinary musical intensity. The arias, of great emotional force, overwhelm us. Thus, Orfeo's lament at the death of Euridice “Tu se' morta, mia vita” or “Rendetemi il mio ben, Tartarei Numi?” his magnificent plea for the release of Euridice. We are very happy to welcome Valerio Contaldo, in the role of Orfeo, but also three admirable young talents (Gwendoline Blondeel, Eva Zaïcik and Marie Perbost) in the main roles of Euridice, the Messenger and Proserpine. Monteverdi makes striking use of the contrasts of the different colors of the orchestra for dramatic purposes, notably through the use of trombones. He obtains by the simplest means, an extraordinary musical intensity. The arias, of great emotional force, overwhelm us. Thus, Orfeo's lament at the death of Euridice “Tu se' morta, mia vita” or “Rendetemi il mio ben, Tartarei Numi?” his magnificent plea for the release of Euridice. We are very happy to welcome Valerio Contaldo, in the role of Orfeo, but also three admirable young talents (Gwendoline Blondeel, Eva Zaïcik and Marie Perbost) in the main roles of Euridice, the Messenger and Proserpine. extraordinary musical intensity. The arias, of great emotional force, overwhelm us. Thus, Orfeo's lament at the death of Euridice “Tu se' morta, mia vita” or “Rendetemi il mio ben, Tartarei Numi?” his magnificent plea for the release of Euridice. We are very happy to welcome Valerio Contaldo, in the role of Orfeo, but also three admirable young talents (Gwendoline Blondeel, Eva Zaïcik and Marie Perbost) in the main roles of Euridice, the Messenger and Proserpine. extraordinary musical intensity. The arias, of great emotional force, overwhelm us. Thus, Orfeo's lament at the death of Euridice “Tu se' morta, mia vita” or “Rendetemi il mio ben, Tartarei Numi?” his magnificent plea for the release of Euridice. We are very happy to welcome Valerio Contaldo, in the role of Orfeo, but also three admirable young talents (Gwendoline Blondeel, Eva Zaïcik and Marie Perbost) in the main roles of Euridice, the Messenger and Proserpine.

English

Orfeo by Monteverdi, vie. 22 jul 2022, De (2022/2022), Director Stéphane Fuget, Hôtel-Dieu Museum - Hospices de Beaune, Beaune, Francia

Créditos de presentación (Elenco & Equipo )

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Ensamble

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