Name: Lumen de lumine
Start: 2024-11-17T00:00:00.000Z
End: 2024-11-17T00:00:00.000Z
Location: Trinitatiskirche

Organization

Admin

Bach Association Cologne eV

Conductor

Christoph Siebert

Others

Choir of the Cologne Bach Association

Lumen de lumine

Cologne

Germany

Trinitatiskirche

Lumen de lumine: Mass for Double Choir Martin (+2 More)

Public

Concert

Mass for double choir

Requiem

Samabedona Majumder

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Mezzo-soprano

Bass-baritone

Bass

Baritone

Contralto

Tenor

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Frank Martin's Mass for two four-part choirs a cappella and Ildebrando Pizzetti's “Messa di Requiem,” both begun in 1922, are among the most remarkable and haunting Mass settings of the 20th century. “A thing between God and me,” is how Martin described his only foray into liturgical music and kept the Mass in the drawer for a whopping 40 years. It was not premiered until 1963 and subsequently became one of the most popular sacred choral works for a cappella choir of the 20th century. Ildebrando Pizzetti's double choir “Messa da Requiem” can also join this ranks. His student Mario Castelnuovo-Tedesco described the composer, born in 1880, as “undoubtedly the greatest vocal polyphonist Italy has had since the glorious 16th century”. In fact, his Requiem, which is audibly committed to Gregorian chant, is also characterized by the clear architectural transparency that is characteristic of early vocal polyphony.

With his six-minute Requiem for choir, viola and organ, Giacomo Puccini paid posthumous musical homage to his fellow composer Giuseppe Verdi on the fourth anniversary of his death. Despite the extreme reduction in musical means, the result was heartfelt, expressive mourning music that, quite unfairly, is rarely performed.

English

Lumen de lumine by Martin, Pizzetti, Puccini, sek 17 lap 2024, Nuo (2024/2024), Dirigentas Christoph Siebert, Trinitatiskirche, Cologne, Germany

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