Name: Madama Butterfly
Start: 2017-01-31T00:00:00.000Z
End: 2017-02-14T00:00:00.000Z
Location: Théâtre Royal

Admin

Organization

Soprano

Alexia Voulgaridou

Cio-Cio-San

Amanda Echalaz

Mezzo-soprano

Ning Liang

Suzuki

Qiulin Zhang

Marta Beretta

Kate Pinkerton

Tenor

Marcelo Puente

B.F. Pinkerton

Leonardo Caimi

Baritone

Aris Argiris

Sharpless

Riccardo Botta

Goro

Aldo Heo

Prince Yamadori

Bass

Mikhail Kolelishvili

Uncle Bonze

Wiard Witholt

The imperial commissioner

The official registrar

René Laryea

Uncle Yakusidé

Conductor

Kazushi Ōno

Bassem Akiki

Stage director

Kirsten Dehlholm

Jon R Skulberg

Costume designer

Henrik Vibskov

Set designer

Maja Ziska

Roberto Rizzi Brignoli

Lighting designer

Jesper Kongshaug

Dramaturge

Krystian Lada

Choreographer

Kenzo Kusuda

Ulrike Quade

Chorus master

Martino Faggiani

Birgitte Bønding

Cio-Cio San's mother

Rosa Brandao

The aunt

La Monnaie/De Munt

Others

La Monnaie Chorus

Orchestra

La Monnaie Symphony Orchestra

italiensk

Madama Butterfly -  (Madame Butterfly)

Brussels

Belgium

Théâtre Royal

Madama Butterfly Puccini

Public

Madame Butterfly

fransk

hollandsk

Approved

An interview with the set designer of La Monnaies Madama Butterfly : Maja Ziska

MADAMA BUTTERFLY - Maja Ziska

‘If I am not moved, if the libretto does not touch my heart...then it’s not for me.’ Puccini knew what he was looking for in an opera libretto...and the fact that the story of a delicate Japanese ‘butterfly’ moved him deeply is apparent in every note of the score. The young geisha Cio-Cio-San has been waiting for years for the return of her American ‘husband’, the naval officer Pinkerton. When she finally grasps the truth, her fate is sealed and she takes the action that her code of honour imposes. Madama Butterfly marked a new phase in Puccini’s development, in which he enriched his musical palette with the exoticism of the Far East. The fact that his direct emotionality contains a universal dimension is clear from the lasting worldwide popularity of this work. Hotel Pro Forma, known to us for their performance of Rachmaninov Troika in 2015, brings East and West together in a theatrical ritual for our time. Roberto Rizzi Brignoli, a master of the Italian repertoire, makes his La Monnaie debute.

English

Madame Butterfly by Puccini, tirs. 31 jan. 2017, Fra (2017/2017), Instrueret af Kirsten Dehlholm, Jon R Skulberg, Ulrike Quade,, Dirigent Kazushi Ōno, Bassem Akiki, Roberto Rizzi Brignoli, Théâtre Royal, Brussels, Belgium

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