Name: Mendelssohn's Reformation
Start: 2024-10-18T00:00:00.000Z
End: 2024-10-19T00:00:00.000Z
Location: Touhill Performing Arts Center

Admin

St. Louis Symphony Orchestra

Dirigent

David Danzmayr

Orchestra

Instrumentalist

Pianist

Conrad Tao

Piano

Mendelssohn's Reformation

Saint Louis

Touhill Performing Arts Center

Public

Concert

Konsert

Ballade in A minor, Op. 33

Piano Concerto No. 2 in G Minor, op. 22

Symphony No. 5, op. 107

Saurav Kumar

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Dansare

Dramaturg

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Koreograf

Kostym designer

Kör

Körledare

Librettist

Ljud designer

Ljus designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Regissör

Repetitör

Scenograf

Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Sångare

Baritone

Countertenor

Tenor

Bass

Contralto

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

David Danzmayr returns to the SLSO with pleas for unity and progress from Felix Mendelssohn and James MacMillan. Mendelssohn’s radiant "Reformation" symphony culminates in a blazing hymn. Samuel Coleridge-Taylor was just 23 when he wrote his lush Ballade, a work pointing to great things. And soloist Conrad Tao shares Camille Saint-Saëns’ Piano Concerto No. 2, a work he calls “both charming and dramatic.”

A few things to know:

Conrad Tao says of Saint-Saëns’ Piano Concerto No. 2, “The final movement is a barnstormer—it begins full of humor, but then gets a little bit more rude. I try to embrace the over-the-top manner...”
British composer Samuel Coleridge-Taylor was especially known for his three cantatas on the epic 1855 poem The Song of Hiawatha by American Henry Wadsworth Longfellow. His music was played across the world until his death in 1912, at just 37, but was all-but-forgotten for almost a century.
Mendelssohn’s “Reformation” symphony is “such a gorgeous piece,” says guest conductor David Danzmayr. Taking the model of Beethoven’s Ninth Symphony, he capped his symphony with an almighty celebration of reform and progress over the stuffiness of the past.

English

Mendelssohn's Reformation by Coleridge-Taylor, Saint-Saëns, MacMillan, Mendelssohn, fre 18 okt 2024, Från (2024/2024), Dirigent David Danzmayr, Touhill Performing Arts Center, Saint Louis, USA

Föreställningskrediter (Medverkande & produktionsteam )

Ensemble

Program, Om & Synopsis

Foton

Vidare läsning

Föreställningsdatum och lokaler

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