Name: Moses und Aron
Start: 2011-05-15T00:00:00.000Z
End: 2011-05-29T00:00:00.000Z
Location: Opernhaus

Organization

Śpiewak

Spoken

Peter Weber

Moses

Tenor

Daniel Brenna

Aron

Sopran

Esther Lee

Mädchen

Kontralt

Cornelia Kallisch

Kranke

Baryton

Cheyne Davidson

Mann

Valeriy Murga

Priester

2. nackte Jungfrau

Anja Schlosser

3. nackte Jungfrau

Katharina Peetz

4. Nackte Jungfrau

Mezzosopran

Irène Friedli

2. Solostimme

Wiebke Lehmkuhl

3. Solostimme

Reinhard Mayr

6. Solostimme

Dyrygent

Christoph von Dohnányi

Reżyseria

Achim Freyer

Scenografia

Kostiumy

Reżyseria światła

Martin Gebhardt

Peter Sonn

Jüngling

Nackter Jüngling

Davide Fersini

Ephraimit

Camille Butcher

1. Solostimme

Michael Laurenz

4. Solostimme

1. nackte Jungfrau

5. Solostimme

Opernhaus Zürich

niemiecki

Moses und Aron -  (Mojżesz i Aaron)

Zurych

Szwajcaria

Opernhaus

Mojżesz i Aaron

angielski

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Supported by the René and Susanne Braginsky Foundation and the Friends of the Zurich Opera Conductor - Christoph von Dohnányi Production - Achim Freyer Stage design - Achim Freyer Costumes - Achim Freyer Lighting design - Martin Gebhardt Choir mastering - Joszef Chabron, Thomas Lang Orchestra - Orchestra of the Zurich Opera Choir - Slovak Philharmonic Choir Bratislava Ballet - extras association at the Zurich Opera House With Peter Weber (Moses), Daniel Brenna (Aron); Esther Lee (young girl), Cornelia Kallisch (sick woman); Peter Sonn (young man), Peter Sonn (naked youth), Cheyne Davidson (another man), Davide Fersini (Epraimite), Valeriy Murga (priest); Camille Butcher (1st naked virgin), Esther Lee (2nd naked virgin), Anja Schlosser (3rd naked virgin), Katharina Peetz (4th naked virgin), Camille Butcher (1st solo part), Irène Friedli (2nd solo part ), Wiebke Lehmkuhl (3rd solo part); Michael Laurenz (4th solo part), Davide Fersini (5th solo part), Reinhard Mayr (6th solo part), Michael Laurenz (a youth), Utz Bodamer (Moses player), Hans-Peter Ulli (Aron player 1), Markus Hofmann (Aron player 2) Schönberg himself had doubts that his opera "Moses und Aron" could be performed; But 25 years after the completion of the second act (the third act remained unfinished) the time had come: in 1957 the staged premiere took place as part of the June Festival at the Zurich Opera House and paved the way for Schönberg's visionary confessional work that challenged all of an opera house the stages of the world. Today the opera is considered to be one of the most important musical theater works of the 20th century. The focus of the story is the question of how the thought can be made comprehensible in words without resorting to images. In the biblical context it is about the monotheistic idea of ​​God. Moses is instructed by God's voice, speaking to him from the burning bush, to free the people of the Israelites from Egyptian bondage and to lead them to believe in the "only, eternal, invisible and unimaginable" God. However, since he lacks the gift of the word, he has to rely on his brother Aron, of whose enlightenment the voice from the thorn bush speaks. The latter takes refuge in miraculous apparitions and finally, while Moses receives the tablets of the Law on Mount Sinai, allows the service to the old idols again. An orgy of drunkenness, unleashed eroticism and anger of annihilation erupts in the dance around the golden calf. When Moses returns, he holds his brother accountable; he desperately smashes the tablets of the law. With Achim Freyer, who is responsible for direction, stage design and costumes, it has been possible for the first time to engage one of the most important contemporary theater makers at the Zurich Opera House, who has often dealt with contemporary music theater (including Philipp Glass, John Cage, Helmut Lachenmann) . His theater work is characterized by strictness of thought, poetic visual inventions and great suggestive power. Christoph von Dohnányi guarantees an impressive musical interpretation. The conductor, who has campaigned for the musical avant-garde throughout his life, knows the highly complex, twelve-tone score of Schönberg like no other: as early as the 1970s, he conducted pioneering performances of this work in Frankfurt and Vienna and in 1995 in Paris.

MOSES AND ARON - SCHÖNBERG

Mojżesz i Aaron by Schoenberg, Arnold, czw 26 maj 2011, od (2011/2011), W reżyserii Achim Freyer,, Dyrygent Christoph von Dohnányi, Opernhaus, Zurych, Szwajcaria

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Program, informacje i streszczenie

Filmy

Dalsza lektura

Daty i miejsca występów

Miejsca