Name: Mozart and the Castrati
Start: 2022-01-09T00:00:00.000Z
End: 2022-01-09T00:00:00.000Z
Location: Ópera real de Versalles

Organization

Cantante

Contratenor

Franco Fagioli

Director(a) orquestal

Daniel Bard

Opéra Royal de Versailles

Others

Basel Chamber Orchestra

Mozart and the Castrati

Versalles

Francia

Ópera real de Versalles

Mozart and the Castrati: Concert Various

Public

Concierto

Válido

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chefdirigent Musiktheater

Chorus Director

Compositor(a)

Coreógrafo(a)

Coro

Director(a) coral

Director(a) de escena

Diseñador(a) de iluminación

Diseñador(a) de sonido

Diseñador(a) de vestuario/Figurinista

Diseñador(a) de video

Dramaturgia

Entrenador(a) vocal

Escenógrafo(a)

Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Orchestra Operations

Orquesta

Otro

Peinado

Photographer

Poet

Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Traductor(a)

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Bajo

Contralto

Soprano

Barítono

Bajobarítono

Mezzosoprano

Alto

Papel de hablante

Papel mudo

Vocalista infantil

images

Who was not seized by the love of Romeo and Juliet? Napoleon, that great warrior, who was said to be bloodthirsty, was no exception. Franco Fagioli and Adèle Charvet reform this formidable duo of castrato Crescentini and the adulated Grassini in this opera by Zingarelli for a tribute to this little-known Bonaparte, protector of the arts and lover of Italian opera.

If Mozart's passion for female voices is obvious, it should not be forgotten that his first great virtuoso lyrical arias were intended for castrati! In the tour of Europe that his father began with him, Mozart was called to compose his first operas for the Italian stages where the castrati triumphed in the role of the Primo Uomo of the opera seria. In Mitridate Re di Ponto , created in Milan in 1770 by the young 14-year-old composer, three of the performers are thus castrati! Follow particular Lucio Silla (Milan 1772) La Finta Giardiniera (Munich 1775), and the same (in parallel with the composition The Magic Flute ) La Clemenza di Tito (Prague 1791): in these works Italian seria, Mozart obviously leaves the first role for the stars of the rooms for which he composes, or uses their presence to spice up the work. And it is the castrato Venanzio Rauzzini who created the splendid Exsultate Jubilate of which he is dedicatee, in Milan in 1773! The incredible Franco Fagioli dedicates his resplendent timbre to this repertoire which made Mozart's first great successes, and for which he wrote the virtuoso arias of his maturity. Despondency, heightened feeling, courage and vocal virility await you

English

Mozart and the Castrati by Various, dom. 09 ene 2022, De (2022/2022), Director Daniel Bard, Ópera real de Versalles, Versalles, Francia

Créditos de presentación (Elenco & Equipo )

Elenco

Ensamble

Programa, Acerca de & Sinopsis

Vídeos

Fotografías

Más información

Fechas y lugares de actuación

Lugares