Name: Na Uranku (At the Dawn)
Start: 2019-10-30T00:00:00.000Z
End: 2019-10-30T00:00:00.000Z
Location: The National Theater Opera Belgrade

Organization

Repetiteur

Gleb Gorbunov

Lighting designer

Miodrag Milivojević

Sound designer

Nebojša Kostić

Assistant Director

Isidora Goncić

Singer

Marko Živković

Rade

Dubravka Filipović

Anđa

Vuk Zekić

Redžep

Mihailo Šljivić

Vuk Matić

Mihailo Otašević

Muezzin

Milan Panić

Stage director

Ana Grigorović

Conductor

Stefan Zekić

Set designer

Dunja Kostić

Costume designer

Katarina Grčić Nikolić

Soprano

Evgenija Jeremić

Stanka

Marija Jelić

Chorus master

Đorđe Stanković

Nevena Živković

National Theatre Belgrade

Others

National Theater in Belgrade

Orchestra

Belgrade National Theatre Orchestra

Na Uranku (At the Dawn)

Belgrade

Serbia

The National Theater Opera Belgrade

Na Uranku (At the Dawn) Stanislav Benički

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Countertenor

Bass

Mezzo-soprano

Contralto

Tenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

A Word by the Stage Director
First Serbian opera, a work by a great composer and a great writer. History of our theatre. Facing a piece such as this makes us all reluctant to delve into the responsibility which deliberation about the piece brings. Starting from inspiration with story Sali Pič to finished libretto, Binički and Nušić conducted a dialogue on awakening of our national awareness, identity and mentality, out past under the Turkish occupation and the impact it had on the nation. Under the story of a love triangle one finds an archaeological treasure of our national history. Reading this piece today demands a concept which will make the story closer to modern audiences and show once again that Binički and Nušić are eternal. For centuries the family had no importance in a petty society.For centuries a human life was worthless in a society guided only by personal gain. Theatre has been fighting for centuries to awaken the consciousness of people through its art. At this moment, when we celebrate a centennial of our Opera, it is time to listen to our artists’ thoughts. It is the time to listen to Branislav Nušić who had a lot to say about us. It is the time to remember Stanislav Binički, who presented the nation with opera. Today, the opera speaks for all of us. Excerpts from Nušić’s plays, stories and texts (The Deceased, Suspicious Person, Sali Pič, Cultural Testimony) are used in the performance. It is the time to listen to Branislav Nušić who had a lot to say about us. It is the time to remember Stanislav Binički, who presented the nation with opera. Today, the opera speaks for all of us. Excerpts from Nušić’s plays, stories and texts (The Deceased, Suspicious Person, Sali Pič, Cultural Testimony) are used in the performance. It is the time to listen to Branislav Nušić who had a lot to say about us. It is the time to remember Stanislav Binički, who presented the nation with opera. Today, the opera speaks for all of us. Excerpts from Nušić’s plays, stories and texts (The Deceased, Suspicious Person, Sali Pič, Cultural Testimony) are used in the performance.

English

Реч редитеља
Прва српска опера, дело великог композитора и великог писца. Историја нашег позоришта. Пред таквим делом сви устукнемо због одговорности које промишљање о њему доноси. Од инспирације приповетком Сали Пич до готовог либрета, Бинички и Нушић имали су дијалог о буђењу наше националне свести, идентитету и менталитету, прошлости под Турцима и томе како је она на нас утицала. Испод приче о љубавном троуглу лежи археолошко благо историје нашег народа. Читање овог дела данас захтева концепт који ће приближити причу савременој публици и доказати још једном колико су Бинички и Нушић вечни. Вековима је породица безначајна у малограђанском друштву. Вековима је људски живот безвредан у друштву у којем се гледају само лични интереси. Позориште се већ вековима бори да пробуди свест народа кроз уметност. У овом тренутку обележавања стогодишњице опере, једног читавог века, време је да чујемо мисли наших уметника. Време је да послушамо једног Бранислава Нушића који нам је много рекао о нама самима. Време је да се сетимо једног Станислава Биничког који је народу подарио оперу. Данас та опера говори у име свих нас. У представи су коришћени делови из Нушићевих драма, приповедака и текстова (Покојник, Сумњиво лице, Сали Пич, Културни тестамент).

српски

Na Uranku (At the Dawn) by Benički, mið 30 okt 2019, Frá (2019/2019), Leikstýrt af Ana Grigorović,, Hljómsveitarstjóri Stefan Zekić, The National Theater Opera Belgrade, Belgrade, Serbia

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