Name: Orfeo ed Euridice
Start: 2023-06-13T00:00:00.000Z
End: 2023-06-13T00:00:00.000Z
Location: Teatro Real

Organization

Conductor

René Jacobs

Singer

Soprano

Polina Pastirchak

Euridice

Countertenor

Helena Rasker

Orfeo

Giulia Semenzato

Amor

Teatro Real de Madrid

Orchestra

Freiburger Barockorchester

Others

RIAS Chamber Choir

olasz

Orfeo ed Euridice -  (Orpheus and Eurydice)

Madrid

Spain

Teatro Real

Sala Principal

Orfeo ed Euridice Gluck

Public

Orpheus and Eurydice

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Mezzo-soprano

Tenor

Bass

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Orfeo ed Euridice de Gluck es unos de los pocos títulos operísticos del siglo XVIII que puede presumir de no haber perdido jamás el aprecio del público. Aparte de la perseverante fama de su número más célebre –«Che farò senza Euridice?»–, la obra fue defendida durante el siglo XIX por algunas de las estrellas más rutilantes del firmamento lírico como el tenor Adolphe Nourrit –primer Eléazar de La judía y Raoul de Los hugonotes– o la contralto Pauline Viardot –primera Fidès de El profeta–, así como por el compositor Hector Berlioz, quien llegó a reorquestar la obra para su presentación en la Ópera de París. Hoy en día –no hace falta recordarlo– el rol de Orfeo es disputado indistintamente por las mezzosopranos, tenores y contratenores más sobresalientes.

Más allá de estos aspectos, este Orfeo descolló en su tiempo por su avanzado lenguaje orquestal y por un concepto dramático alejado de las convenciones de su tiempo que repercutió en una partitura compacta y audaz que influyó poderosamente en el joven Mozart. El tercer Orfeo de la temporada llega además al Real de la mano de René Jacobs, avezado descubridor de los pliegues –léase, tesoros– ocultos en los pentagramas operísticos de los periodos clásico y barroco.

español

Orfeo Ed Euridice by Gluck is one of the few opera titles of the 18th century which can presume to have never lost out on audience appreciation. Besides the enduring fame of its most famous moment –«Che farò senza Euridice?» –, the work was sustained during the 19th century by some of the most glittering voices of the day such as the tenor Adolphe Nourrit –who debuted Eléazar of La juive and Raoul of Les Huguenots– or the contralto Pauline Viardot –who premiered Fidès of Le prophète–, or composer Hector Berlioz, who re-orchestrated the opera for its presentation at the Ópera de París.  Today -   a reminder isn’t necessary - the role of Orfeo is sung indistinctly by the most acclaimed mezzo-sopranos, tenors and countertenors.  

Over and above these aspects, this Orfeo stood out in its day for advanced orchestral language and a dramatic concept, far from established conventions, which had an effect on its compact and audacious score; and  that powerfully influenced the young Mozart.  The third Orfeo of this season comes to the Teatro Real in the hands of René Jacobs, an experienced explorer of the hidden treasure in the operatic staves of the Classic and Baroque periods.

English

Orpheus and Eurydice by Gluck, kedd 13 jún 2023, -tól (2023/2023), Karmester René Jacobs, Teatro Real, Madrid, Spain

Előadás kreditek (Szereplők & Stáb )

Öntvény

Együttes

Program, névjegy és szinopszis

Életrajz

További irodalom

Az előadások időpontjai és helyszínei

Helyszínek