Name: Orfeo ed Euridice
Start: 2011-07-20T00:00:00.000Z
End: 2011-07-31T00:00:00.000Z
Location: Auditori Jardins del Castell

Organization

Festival Castell de Peralada

Chanteur

Contre-ténor

Anita Rachvelishvili

Orphée

Soprano

Maite Alberola

Eurydice

Auxiliadora Toledano

Amour

Direction d'orchestre

Gordan Nikolić

Mise en scène

Carlus Padrissa

Orchestra

BandArt Orchester

Others

Cor de Cambra del Palau de la Música Catalana

Orquestra Bandart

italien

Orfeo ed Euridice -  (Orphée et Eurydice)

Peralada

Espagne

Auditori Jardins del Castell

Since 1987, the Catalan city of Peralada has been delighting audiences with its unique performance venue, the historical ensemble Castell de Peralada, and an interesting program of music and dance. For the 25th anniversary, the Catalan theater company "La Fura dels Baus" staged Gluck's world-famous master opera with its own imaginative world of images.

"La Fura dels Baus" was founded in 1979 and since then has been celebrating major theatrical events on stages around the world with its imaginative, unconventional performances. "La Fura" became known worldwide in 1992 when she designed the opening ceremony of the Olympic Games in Barcelona. In the 90s, "La Fura dels Baus" turned to opera; Unforgotten is "La Damnation de Faust" at the Salzburg Festival in 1999. Numerous spectacular, award-winning productions followed, including Richard Wagner's "Ring des Nibelungen" in Valencia, which was voted the "Ring of the 21st Century" by critics.

Christoph Willibald Gluck (1714-1787) set the more than 2000-year-old story of the singer Orpheus, who wants to bring his beloved wife back from the realm of the dead and fails on the condition of denying love, to music in 1762 for the Vienna Opera. Gluck wanted to break away from the schematism of the baroque court opera and bring the dramatic development of a credibly portrayed person to the stage. So Orpheus is not a superhuman being, but a husband mourning the loss of his beloved, whose pain and lamentation are expressed in moving songs. Gluck broke away from traditional musical forms and gave the chorus an important role in the style of ancient tragedy.
"The ideal of a truly dramatic music in contrast to the flirting sensuality of the opera of the time had already dawned on Gluck's Feuergeist," remarked Eduard Hanslick in his seminal work "The Modern Opera" (1874).

Orfeo ed Euridice Gluck

Public

Orphée et Eurydice

allemand

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Chefdirigent Musiktheater

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Costumes

Danse

Diffusion

Direction de choeur

Dramaturgie

Décors

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Ténor

Contralto

Baryton-basse

Baryton

Mezzo-soprano

Basse

Alto

Rôle muet

Rôle parlant

Voix d'enfant

Orphée et Eurydice by Gluck, mer. 20 juil. 2011, Du (2011/2011), Dirigé par Carlus Padrissa,, Chef d'orchestre Gordan Nikolić, Auditori Jardins del Castell, Peralada, Espagne

Crédits de représentation (Distribution et équipe de production )

Distribution

Ensemble

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles