Name: Pagliacci
Start: 2019-12-15T00:00:00.000Z
End: 2019-12-22T00:00:00.000Z
Location: Teatro Comunale di Bologna

Organization

Sångare

Soprano

Carmela Remigio

Nedda

Carmen Solís

Tenor

Stefano La Colla

Canio

Angelo Villari

Baritone

Dalibor Jenis

Tonio

Stefano Meo

Paolo Antognetti

Peppe

Marco Puggioni

Vittorio Prato

Silvio

Dirigent

Frédéric Chaslin

Regissör

Serena Sinigaglia

Scenograf

Maria Spazzi

Kostym designer

Carla Teti

Ljus designer

Claudio De Pace

Körledare

Alberto Malazzi

MASTER CVB

Alhambra Superchi

Teatro Comunale di Bologna

Pagliacci

Bologna

Italien

Sala Bibiena

Pagliacci Leoncavallo

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chorus Director

Dansare

Dramaturg

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Koreograf

Kör

Librettist

Ljud designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Repetitör

Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Mezzo-soprano

Contralto

Countertenor

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Ruggero Leoncavallo (Naples, April 23, 1857 - Montecatini Terme, August 9, 1919) was an Italian composer, author of operas and operettas.

Ruggero Leoncavallo was one of the most important exponents of verist melodrama: he had, especially in the Pagliacci , a strong dramatic sense and generous melodic inspiration, of immediate effectiveness; however, despite having a more solid cultural basis than other realists (he had a degree in literature, which allowed him to write the librettos of some of his works himself), he remained confined to the problem of the Italian "young school", amidst the influences of Bizet, Verdi's and distant echoes of Wagner. He tried to free himself from realism, for example in Bohème (1897), with a comic-sentimental vein, in Zingari (1912), with an exotic taste, in Goffredo Mameli (1916) and in Oedipus re(1920), but was no longer able to find that conciseness, that expressive vigor and that impetuous and incisive melodic vein that characterize his masterpiece, Pagliacci , quintessence of musical realism (the famous Prologue is an example )

English

Pagliacci by Leoncavallo, tis 17 dec 2019, Från (2019/2019), Regisserad av Serena Sinigaglia,, Dirigent Frédéric Chaslin, Teatro Comunale di Bologna, Bologna, Italien

Föreställningskrediter (Medverkande & produktionsteam )

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Besättning

Program, Om & Synopsis

Foton

Vidare läsning

Föreställningsdatum och lokaler

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