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Organization

Conductor

Pavol Tužinský

Rastislav Stur

Dušan Štefánek

Stage director

Marián Chudovský

Set designer

Jaroslav Valek

Costume designer

Peter Čanecký

Chorus master

Pavel Procházka

Singer

Tenor

Miroslav Dvorský

Herman

Michal Lehotský

Kostadin Andreev

Baritone

Sergej Tolstov

Count Tomsky

Ján Ďurčo

Jakub Kettner

Dalibor Jenis

Prince Yeletsky

Pavol Remenár

Daniel Čapkovič

Jozef Kundlák

Chekalinsky

Ludovit Ludha

Bass

Martin Malachovský

Surin

Gustáv Beláček

Martin Gyimesi

Chaplitsky

Ján Babjak

Juraj Peter

Narumov

František Ďuriač

Igor Pasek

Master of Ceremonies

Ivan Ožvát

Mezzo-soprano

Magdaléna Blahusiaková

Countess

Jitka Sapara-Fischerová

Soprano

Adriana Kohútková

Lisa

Jana Šrejma Kačírková

Iveta Matyášová

Liene Kinča

Contralto

Terézia Kružliaková

Polina

Michaela Šebestová

Monika Fabianová

Denisa Šlepkovská

Governess

Alena Grach

Katarína Flórová

Masha

Katarína Polakovičová

Miriam Garajová

Prilepa

Slovak National Theatre

Russian

Pikovaya Dama -  (The Queen of Spades)

Bratislava

Slovakia

Slovak National Theatre New Building

Public

The Queen of Spades

Approved

Pikovaya Dama Tchaikovsky,P

Pyotr Ilyich Tchaikovsky: LADY OF SPACE Opera in three acts and seven paintings Having money, wealth, and thus the highest honor in society is a temptation that the main character of the opera Hermann cannot resist. At first, they will believe in cheap instructions to get rich, but later they will not protect anything just to get the money they want, while the price they pay for it is devastating for everyone. The question remains whether these are just ghosts of the past that still have such ominous suggestiveness today, or whether this old story has something to do with our present. PREMIERE: Friday 23 May 2014 at 7 pm Sunday 25 May 2014 at 7 pm Opera and Ballet Hall of the new SND building on Pribinova Street director: Marián Chudovský performers: Miroslav Dvorský, Michal Lehotský, Ján Ďurčo, Jakub Kettner, Sergej Tolstov, Daniel Čapkovič, Dalibor Jenis, Pavol Remenár, Liene Kinč

Pyotr Ilyich Tchaikovsky, like in his opera Eugene Onegin, remained faithful to Pushkin and his literary legacy in this work. But not a sentimental romantic depiction of great love, but a relentless critique of Tsarism and its social distortions. Having money, wealth, and thus gaining a high position is a temptation that the main hero of the opera, Hermann, cannot resist. He gradually falls into a state in which he no longer protects himself - just to get the coveted money! He not only gambles with his own existence, but his actions also turn the lives of others into ruins.

In this work, Tchaikovsky introduces himself to us as an excellent playwright: he brings a pregnant penetration into the psychology of characters into a typically romantic story, marked by a trace of mystical mystery. It thus creates an image that can be viewed from two positions: as a generously designed fresco of romantic destiny - or as a remarkable, penetrating study of human souls. After all, gambling, in its distinct form, always touches essentially and tragically those who have chosen it as a way of approaching their own lives. Topic still relevant.

English

The Queen of Spades by Tchaikovsky, P. I., From (2016/2016), Directed by Marián Chudovský,, Conductor Pavol Tužinský, Rastislav Stur, Dušan Štefánek, Slovak National Theatre New Building, Bratislava, Slovakia

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