Name: Die Walküre
Start: 2025-05-01T00:00:00.000Z
End: 2025-05-17T00:00:00.000Z
Location: Royal Opera House

Admin

Royal Opera House

Orchestra

Orchestra of the Royal Opera House

Dyrygent

Antonio Pappano

Śpiewak

Baryton

Christopher Maltman

Wotan

Sopran

Elisabet Strid

Brunnhilde

Lise Davidsen

Sieglinde

Tenor

Stanislas de Barbeyrac

Siegmund

Soloman Howard

Hunding

Mezzosopran

Marina Prudenskaya

Fricka

Maida Hundeling

Helmwige

Katie Lowe

Ortlinde

Lee Bisset

Gerhilde

Claire Barnett-Jones

Waltraute

Kontralt

Catherine Carby

Siegrune

Alison Kettlewell

Rossweisse

Monika-Evelin Liiv

Grimgerde

Rhonda Browne

Schwertleite

Reżyseria

Barrie Kosky

Scenografia

Rufus Didwiszus

Kostiumy

Victoria Behr

Reżyseria światła

Alessandro Carletti

niemiecki

Die Walküre -  (Walkiria)

Londyn

Wielka Brytania

Main Stage

Die Walküre Wagner, Richard

Public

Walkiria

Joshua Dos

angielski

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Love and death, gods and mortals, heroes and villains: it’s all here, in the thunderous second chapter of the Ring cycle. Following the glittering triumph of Das Rheingold in 2023, Barrie Kosky and Antonio Pappano plunge back into Wagner’s mythic universe. Christopher Maltman’s Wotan returns alongside an international cast including Elisabet Strid as Brünnhilde, Lise Davidsen as Sieglinde and Stanislas de Barbeyrac as Siegmund.

THE RING RETURNS
Die Walküre (The Valkyrie) is the second work of Richard Wagner’s four-opera cycle Der Ring des Nibelungen; it follows Das Rheingold and preceeds Siegfried and Götterdämmerung (Twilight of the Gods). It has become the most performed opera of the cycle, loved and admired for its nuanced and intelligent exploration of complex family entanglements, expressed through music of astonishing power – perhaps nowhere more so than in the glorious music for the incestuous lovers Siegmund and Sieglinde.

A LUCKY ENCOUNTER WITH KING LUDWIG 
Wagner’s fortunes improved dramatically when the young King Ludwig II ascended to the throne in Bavaria in 1864. Captivated by Wagner’s operas, the King employed him on a permanent basis, settling the composer’s debts, and installing him in a state of luxury at the Villa Tribschen on Lake Lucerne, where Wagner composed the famous Tristan und Isolde. Wagner subsequently founded the Bayreuth Festspielhaus: a theatre specially constructed for the demands of the Ring cycle, which hosts annual festivals of Wagner’s music to this day.

Totalling fifteen hours of music, Wagner’s Ring cycle is a colossal masterpiece composed over the course of 26 years, from 1848 to 1874. It consists of four epic operas which fuse ancient Norse mythology with German and Scandinavian folk tales to tell the story of an all-powerful ring, and its pursuit by the leader of the gods, Wotan. It is the culmination of Wagner’s ambition to create opera that unified text, music and drama in a Gesamtkunstwerk, or ‘total work of art’. 

A COMPLEX MUSICAL LANDSCAPE
Richard Wagner uses a compositional technique known as the ‘leitmotif’ (or recurring musical fragments) to weave a richly evocative musical tapestry in his Ring cycle operas. These musical ‘cells’ are often associated with different characters, or aspects of the story. In Die Walküre, some of the most famous motifs are the ‘Nothung’ sword melody (an ascending trumpet fanfare), or the yearning, twisting string melody that signifies the desire between the twins. As the opera progresses, these and other motifs return and develop in endless combinations, resulting in a complex musical landscape. 

RIDE OF THE VALKYRIES
The 'Ride of the Valkyries' is the best-known piece of music from the opera. The music, which opens Act III, is an astonishing evocation of flight, depicting the fantastical valkyries, harvesting fallen heroes from the field of battle. Over the sound of quivering woodwinds, a galloping melody vaults upwards, the trombones unleash their famous, dazzling tune and we are swept up with the mythical daughters of Valhalla, as they sing their glorious arrival: ‘Hojotoho!’. Despite the fame of this introduction as a stand-alone piece, in its full dramatic context within Wagner’s Ring cycle, it is merely the prelude to what many describe as the pivotal scene of the entire saga: the heartbreaking scene between Wotan and his daughter, Brünnhilde.

English

Walkiria by Wagner, Richard, śr 14 maj 2025, od (2025/2025), W reżyserii Barrie Kosky,, Dyrygent Antonio Pappano, Royal Opera House, Londyn, Wielka Brytania

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

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Daty i miejsca występów

Miejsca