Name: Giuditta
Start: 2025-05-11T00:00:00.000Z
End: 2025-06-03T00:00:00.000Z
Location: Opéra de Strasbourg

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Opéra National du Rhin

Opéra de Lausanne

Soprano

Melody Louledjian

Giuditta

Orchestra

Orchestre Philharmonique de Strasbourg

Arsmondo

Direzione d'orchestra

Thomas Rösner

Regia

Pierre-André Weitz

Scenografia

Costumi

Coreografia

Ivo Bauchiero

Luci

Bertrand Killy

Direzione del coro

Hendrik Haas

Cantante

Tenore

Thomas Bettinger

Hauptmann Octavio

Sandrine Buendia

Anita

Baritono

Nicolas Rivenq

Manuele Biffi

Narrazione

Edward Lord Barrymore

Sissi Duparc

Lolitta

Sahy Ratia

Séraphin

Christophe Gay

Ibrahim

Rodolphe Briand

L’Hôtelier

Pierre Lebon

1. Kellner

Ein Fischer

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Chœur de l'Opéra National du Rhin

francese

Strasburgo

Francia

Opéra national du Rhin

Mulhouse

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Sharan Allad

tedesco

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Opéra de Strasbourg

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Baroque Oboist

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Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

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Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

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Chorus Director

Composizione

Coro

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Drammaturgia

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Contralto

Mezzosoprano

Alto

Continuo

Mimi

Voce bianca

Qualifiée de « musikalische Komödie » par son auteur, la dernière œuvre de Lehár se rapproche bien plus des grands opéras de Puccini que des comédies musicales américaines, comme en témoigne sa création en grande pompe au Staatsoper de Vienne en 1934. Si Giuditta n’est pas sans rappeler certaines héroïnes lyriques (Carmen, Violetta, Mélisande) et quelques célèbres courtisanes bien réelles (notamment la « Belle Otero », danseuse espagnole devenue l’amante des souverains européens), elle doit beaucoup à Marlène Dietrich et à ses rôles iconiques de meneuse de revue dans les films L’Ange bleu et Morocco. À la tête de l’Orchestre symphonique de Mulhouse, Thomas Rösner dirige la version française de cette envoûtante rareté, dans un spectacle flamboyant de Pierre-André Weitz inspiré par les univers du cirque et du cabaret.

français

Described as a “musikalische Komödie” by its author, Lehár's latest work is much closer to the great operas of Puccini than to American musicals, as evidenced by its premiere with great fanfare at the Vienna Staatsoper in 1934. If Giuditta is not not unlike certain lyrical heroines (Carmen, Violetta, Mélisande) and some famous very real courtesans (notably the “Belle Otero”, a Spanish dancer who became the lover of European sovereigns), she owes a lot to Marlène Dietrich and her iconic roles as leader of the revue in the films The Blue Angel and Morocco. At the head of the Mulhouse Symphony Orchestra, Thomas Rösner conducts the French version of this captivating rarity, in a flamboyant show by Pierre-André Weitz inspired by the worlds of circus and cabaret.

English

Giuditta by Lehár, dom 11 mag 2025, Da (2025/2025), Diretto da Pierre-André Weitz,, Direttore d'orchestra Thomas Rösner, Opéra de Strasbourg, Strasburgo, Francia

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