Name: Raymonda, op. 57
Start: 2023-05-10T00:00:00.000Z
End: 2023-05-13T00:00:00.000Z
Location: Teatro Real

Organization

Dirigat

Gavin Sutherland

Regie

Aaron S. Watkin

Choreographie

Tamara Rojo

Bühnenbild

Antony McDonald

Kostümbild

Lichtgestaltung

Mark Henderson

Videogestaltung

Alexander Gunnarsson

Dramaturgie

Lucinda Coxon

Teatro Real de Madrid

Finnish National Opera

Orchestra

Orquesta Sinfónica de Madrid

Raymonda, op. 57

Madrid

Spanien

Teatro Real

Sala Principal

Raymonda, op. 57 Glazunov

Public

Private

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chor

Chordirektion

Chorus Director

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Lehrer

Leitender Produzent

Libretto

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Countertenor

Sänger

Mezzosopran

Bariton

Bass

Sopran

Tenor

Bass-Bariton

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

Raymonda Glasunow

Tamara Rojo's lavish new production of Raymonda, the classic ballet by Marius Petipa. Touring to Bristol and Southampton in autumn 2022.More info and tickets...

Que Aleksandr Glazunov haya sido -según un veredicto unánime- un epígono de Chaikovski no dice nada positivo de su originalidad como compositor, pero a cambio nos permite disfrutar de dos grandes ballets románticos escritos en la gloriosa tradición de El lago de los cisnes. Sin ir más lejos, Raymonda -el primero y más célebre de ambos- se estrenó en el Teatro Mariinski de San Petersburgo en 1898 con coreografía del mismísimo Marius Petipa. El libreto -aunque esquemático y no demasiado imaginativo- posee la virtud de instigar una partitura coloreada por el contraste de los universos cruzado y sarraceno ligados a los dos pretendientes de la princesa titular de la obra. En su debut como directora y coreógrafa, Tamara Rojo ha reinventado el argumento de este gran ballet en una fastuosa producción que se inspira en Florence Nightingale y las mujeres que la acompañaron a asistir a los heridos durante la guerra de Crimea. En este nuevo escenario, Raymonda es una joven idealista que abandona en 1854 su vida acomodada en Londres para servir como enfermera en Crimea. Allí su corazón se enfrentara a un difícil trance, al tener que elegir entre dos apuestos pretendientes: un soldado inglés y un carismático líder otomano.

español

That Aleksandr Glazunov was considered –according to unanimous opinion - an epigone of Tchaikovsky is hardly flattering in regard to  his originality as a composer. Nonetheless, through him, we are able to enjoy two of the great Romantic ballets composed, in the glorious tradition of Swan Lake. Without going further, Raymonda –the first and most famous of the two - premiered at the Imperial Mariinsky Theatre of St. Petersburg in 1898 with the choreography of Marius Petipa, no less.  Although the libretto is schematic and not particularly imaginative, it has the virtue of a score coloured by the contrasts between the Saracen and Crusaders, universes that are linked by the two suitors of the protagonist princess of the work. In her debut as director and choreographer, Tamara Rojo reinvents the story of this wonderful ballet in a lavish production based on Florence Nightingale and the women who accompanied her in caring for the wounded in the battle of Crimea. In this new setting, Raymonda is a young idealist who abandons her comfortable life in London in 1854 to serve as a nurse in Crimea. There, her heart is challenged, having to choose between two handsome suitors: an English soldier or a charismatic Ottoman leader.

English

Raymonda, op. 57 by Glazunov, A., Sa. 13 Mai 2023, Ab (2023/2023), Unter der Regie von Aaron S. Watkin,, Dirigat Gavin Sutherland, Teatro Real, Madrid, Spanien

Aufführungskredite (Besetzung & Produktionsteam )

Produktionsteam

Ensemble

Co-Produzent

Programm, Info & Synopsis

Rezensionen

Videos

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte