Name: Rencontres Inédites Ii
Start: 2024-07-22T00:00:00.000Z
End: 2024-07-22T00:00:00.000Z
Location: Eglise de Verbier

Admin

Verbier Festival

Instrumentalist

Michael Barenboim

Violin

Daniel Lozakovich

Timothy Ridout

Viola

Bryan Cheng

Cello

Mischa Maisky

Edgar Moreau

Brendan Kane

Double bass

Dmitry Shishkin

Piano

Nobuyuki Tsujii

Tstotne Zedginidze

Rencontres Inédites Ii

Bagnes

Switzerland

Eglise de Verbier

Rencontres Inédites Ii: Piano Trio in B-minor Shor (+1 More)

Public

Piano Trio in B-minor

Piano Quintet in A Major, D.667 ("The Trout")

Akshay C K

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Spoken

Lyric romanticism and the whisper of folk music are defining features of Ukrainian-born Alexey Shor’s Piano Trio in B minor. An impassioned Andante con moto opens, full of close dialogue between the three instruments. Then comes a melancholic central Andante, before the multifaceted concluding Moderato. Tsotne Zedginidze’s musical language similarly draws on Romanticism and his own national folk heritage, of Georgia. Composed in 1819, Schubert’s five-movement Piano Quintet in A major is nicknamed the ‘Trout’ on account of its fourth movement theme and variations being based on his earlier song of the same name. Scored with a double bass in place of the usual second violin, it opens on an Allegro vivace dominated by a rippling triplet figure. Next come a serene Andante and a folkily dancing Scherzo. Then after the aforementioned variations comes a jaunty finale containing more rippling triplets.

English

Le romantisme lyrique et le murmure de la musique folklorique sont les caractéristiques déterminantes du Trio pour piano en si mineur de l’Ukrainien Alexey Shor. Un Andante con moto passionné s’ouvre avec un dialogue étroit entre les trois instruments. Vient ensuite un Andante central mélancolique, avant le Moderato final aux multiples facettes. Le langage musical de Tsotne Zedginidze s’inspire du romantisme et de la musique folklorique géorgienne. Composé en 1819, le quintette pour piano en la majeur de Schubert, composé de cinq mouvements, est surnommé la « Truite », le thème et les variations du quatrième mouvement étant basés sur sa chanson du même nom. Joué avec une contrebasse à la place de l’habituel second violon, il s’ouvre sur un Allegro vivace dominé par une figure en triolets. Suivent un Andante serein et un Scherzo folklorique et dansant. Après les variations susmentionnées, vient un final enjoué contenant encore des triolets ondulants.

français

Rencontres Inédites Ii by Shor, Alexey, Schubert, pon. 22 jul. 2024, Od (2024/2024), Eglise de Verbier, Bagnes, Switzerland

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