Name: Rencontres Inédites VI
Start: 2024-07-28T00:00:00.000Z
End: 2024-07-28T00:00:00.000Z
Location: Eglise de Verbier

Admin

Verbier Festival

Instrumentalist

Alexandra Conunova

Violin I

Bomsori Kim

Violin II

Dmitry Shishkin

Piano

Violinist

Violin 1

Violin 2

Violist

Michael Barenboim

Viola

Bruce Liu

Violin

Kian Soltani

Cello

Rencontres Inédites VI

Bagnes

Switzerland

Eglise de Verbier

Rencontres Inédites VI: Five Pieces for Two Violins and Piano Shostakovich (+2 More)

Public

Concert

Five Pieces for Two Violins and Piano

Miniatures, Op.75a

Piano Trio No.1, Op.8

Akshay C K

Approved

Bass

Pianist

Cellist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Tenor

Bass-baritone

Soprano

Countertenor

Contralto

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Uncomplicatedly congenial and amateur-friendly, Shostakovich’s suite for two violins and piano draws its melodies from the many scores he wrote for the Soviet film industry for financial reasons. After a sentimental Prelude come a sunnily four-square Gavotte, a tender Elegy, a Waltz, and a merry Polka. Dvořák penned his 4 miniatures of 1887 for personal pleasure, so he could play his viola with an amateur violinist he lived with, plus their teacher. Its contrasting movements are a lyrical Cavatina, a lively Cappriccio, a tender Romance and a sighing Elegie. Smetena’s elegiac four-movement Piano Trio – full of falling figures, with a funeral march towards the end of its finale – was written in 1855, in anguished response to the death of his young daughter. He later explained that articulating his grief through chamber forces was ‘as though in a small friendly circle they are discussing amongst themselves what so obviously troubles me.’

English

D’un abord facile et convivial, la Suite pour deux violons et piano de Chostakovitch tire son matériau mélodique des nombreuses musiques de films écrites par Chostakovitch pour le cinéma soviétique. Le Prélude, sentimental, est suivi d’une Gavotte ensoleillée, d’une tendre Élégie, d’une Valse, et enfin, d’une joyeuse Polka. C’est pour le plaisir personnel de les jouer lui-même à l’alto avec deux amis que Dvorak écrivit ses quatre miniatures de 1887 : une Cavatine lyrique, un Cappriccio vif, une Romance tendre et une Élégie. Smetana composa son élégiaque Trio pour piano – riche en figures descendantes et avec une marche funèbre dans son Finale – en 1855, en réaction angoissée à la mort de sa fille de quatre ans et demi. Il expliqua plus tard qu’exprimer son chagrin par le biais de la musique de chambre était « comme discuter, dans un petit cercle amical, de ce qui me bouleverse si manifestement ».

français

Rencontres Inédites VI by Shostakovich, Dvořák, Brahms, Dg. 28 Jul. 2024, De (2024/2024), Eglise de Verbier, Bagnes, Switzerland

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