Organization

Harpsichord

Paolo Corsi

Sänger

Basso continuo

Continuo

Sprechrolle

Danae Bletsa

Voix seule

Haute école de musique de Genève - HEM

Rhetorica

Genf

Schweiz

Public

Armide

Kadmos und Hermione

Lagrime mie

Deh, memoria

Orpheus

Aura soave di segreti accenti

Aus der Tieffen

Julius Caesar in Ägypten

Recitations

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Bühnenbild

Chor

Chordirektion

Choreographie

Chorus Director

Dirigat

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Kostümbild

Lehrer

Leitender Produzent

Libretto

Lichtgestaltung

Maske

Orchester

Orchestra Operations

Photographer

Poet

Regie

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bariton

Sopran

Tenor

Countertenor

Bass

Mezzosopran

Bass-Bariton

Alto

Kinderstimme

Stumme Rolle

Rhetorica: Concert

The lecture and recital are the final presentation of the outcome of the research project “Rhetorica”, started in October 2021. The project “Rhetorica” aims to reinvent and highlight rhetorical connections between early music and contemporary music performance. Considered a type of orator, singers of the 17th century were obliged to move, persuade and please their audience by incarnating the passion and the affects encoded in the text and music. Clear links existed between compositional and textual parameters and certain passions, and it was the singer’s role to de-code this web of affective material and to represent the passions in their voice and body. The research project developed an interpretation and performance methodology based on a composition’s text, its formal structures and its figurative enhancements. This methodology was further applied onto contemporary repertoire during the workshops organized for the singing students of HEM, highlighting the rhetorical similarities between early music and contemporary music repertoire. The lecture will present the outcomes of the research process and the recital will complement the lecture with the actual performance of the case-study pieces.

English

Rhetorica by Lully, Strozzi, B., Carissimi, Rossi, Luigi, Luzzaschi, Bernhard, Christoph, Händel, Aperghis, Fr. 07 Okt. 2022, Ab (2022/2022)

Aufführungskredite (Besetzung & Produktionsteam )

Produktionsteam

Programm, Info & Synopsis

Videos

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte