Organization

Harpsichord

Paolo Corsi

Cantor

Basso continuo

Continuo

Spoken

Danae Bletsa

Voix seule

Haute école de musique de Genève - HEM

Rhetorica

Genebra

Suíça

Public

Armida

Cadmus et Hermione

Lagrime mie

Deh, memoria

Orfeu

Aura soave di segreti accenti

Aus der Tieffen

Julius Casar

Recitations

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chefdirigent Musiktheater

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Diretor de Palco

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maestro

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Tenor

Mezzo-soprano

Baixo-barítono

Contratenor

Baixo

Soprano

Barítono

Alto

Silent

Vocalista Infantil

Rhetorica: Concert

The lecture and recital are the final presentation of the outcome of the research project “Rhetorica”, started in October 2021. The project “Rhetorica” aims to reinvent and highlight rhetorical connections between early music and contemporary music performance. Considered a type of orator, singers of the 17th century were obliged to move, persuade and please their audience by incarnating the passion and the affects encoded in the text and music. Clear links existed between compositional and textual parameters and certain passions, and it was the singer’s role to de-code this web of affective material and to represent the passions in their voice and body. The research project developed an interpretation and performance methodology based on a composition’s text, its formal structures and its figurative enhancements. This methodology was further applied onto contemporary repertoire during the workshops organized for the singing students of HEM, highlighting the rhetorical similarities between early music and contemporary music repertoire. The lecture will present the outcomes of the research process and the recital will complement the lecture with the actual performance of the case-study pieces.

English

Rhetorica by Lully, Strozzi, B., Carissimi, Rossi, Luigi, Luzzaschi, Bernhard, Christoph, Händel, Aperghis, sex 07 out 2022, De (2022/2022)

Créditos do espetáculo (Elenco & Equipe )

Equipe

Programa, Sobre & Sinopse

Vídeos

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos