Organization

Conductor

Kharálampos Goyós

Stage director

Alexandros Efklidis

Dimitris Dimopoulos

Set designer

Konstantinos Zamanis

Lighting designer

Nikos Sotiropoulos

Singer

Maria Katrivesi

Satan

Dimitris Nalbantis

Andreas

Nicolas Maraziotis

Pamikos

Spyros Papadatos

Xenokratis

Apollo Theatre

Satanerie

Satanerie Sakellaridis

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Soprano

Bass

Baritone

Tenor

Contralto

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

March 1930: The Great Depression begins, the clouds in Europe begin to thicken. Three years before the rise to power of Hitler (and six before that of John Metaxas), two new musical plays satirize the tense climate of the time through the sarcastic distortion of didactic ethnography. The most famous of the two, The Rise and Fall of the City of Mahagoni by Bertolt Brecht and Kurt Weil, a brazen satire of capitalism and the commercialized bourgeois opera, premieres in Leipzig on March 9, bringing to the present day its "resin". Few now remember that, three days earlier, on March 6, at the "Montial" theater in Athens, corner of Panepistimiou and Emmanuel Benaki, our play premiered no less poignant, melodic and ruthless: the "satirical phantasmagoria" Sataneri by Theophrastus Sakellaridis, greatest of the composers of the Athenian operetta and creator of the cosmopolitan Baptist. Something like a distorted adaptation of Faust from the other side, Sataneri is an ethnographic work that unequivocally excels… the supremacy of hell over paradise and advocates, just as boldly and ironically as Mahagoni, the benefits of modern immorality over traditional! In great spirits, based on his own original idea, Sakellaridis mixes romantic arias with folk, rebetika, blues and fox-trot and satirizes the current, as well as timeless Greek impunity through the story of Andreas, an unfortunate "seller" , who, at the eternal crossroads of virtue and evil, chooses the second path,
The performance of the Musical Theater Laboratory of DI.PE.THE. Patras is the first post-war stage revival of the play.
The Musical Theater Laboratory of DI.PE.THE. Patras was created in January 2013, following the initiative of the director of DI.PE.THE. Patras, Thodoris Ambazi, and was staffed by talented young singers.

English

Satanerie by Sakellaridis, Tue 10 Jun 2014, From (2014/2014), Directed by Alexandros Efklidis, Dimitris Dimopoulos,, Conductor Kharálampos Goyós

Performance credits (Cast & Crew )

Cast

Crew

Programme, About & Synopsis

Photos

Further reading

Performance Dates & Venues

Venues