Name: Sibelius Mahler
Start: 2024-04-05T00:00:00.000Z
End: 2024-04-06T00:00:00.000Z
Location: Isarphilharmonie

Organization

Conductor

Daniel Harding

Orchestra

Munich Philharmonic

Gasteig

Sibelius Mahler

Munich

Germany

Isarphilharmonie

Sibelius Mahler: Tapiola, op. 112 Sibelius (+1 More)

Public

Tapiola

Symphony No. 5 in C-Sharp Minor

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Mezzo-soprano

Tenor

Contralto

Soprano

Bass

Countertenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Dass Gustav Mahler und Jean Sibelius, die beiden größten Symphoniker ihrer Zeit, ganz konträre Ansichten zum Wesen der Symphonie hatten, erstaunt bis heute. Bei einem gemeinsamen Treffen im November 1907 in Helsinki betonte Mahler seine Forderung, eine Symphonie müsse »wie die Welt sein und alles umfassen«, wohingegen Sibelius den Standpunkt vertrat, dass eine Symphonie »strenge innere Logik« zeigen müsse. DANIEL HARDING bringt mit diesem Programm beide Komponisten zusammen. Für »Tapiola« von Sibelius entführt Harding das Publikum in die Weite der finnischen Wälder. In seinem letzten Orchesterwerk erzählt Sibelius von »des Nordlands düstre[n] Wäldern« und von »Waldgeistern« in der Dunkelheit. Es ist ein später Höhepunkt seines Schaffens im Übergang zwischen Romantik und Moderne. Obwohl Gustav Mahler sich beklagte, seine »Fünfte« sei ein »verfluchtes Werk«, weil niemand sie kapiere, zählt sie heute zu seinen beliebtesten Symphonien. Schuld daran hat wahrscheinlich das ergreifende »Adagietto«, das durch die Verwendung in Viscontis filmischer Adaption von Thomas Manns »Tod in Venedig« auch außerhalb des Konzertsaals zu Berühmtheit gelangte.

Deutsch

The fact that Gustav Mahler and Jean Sibelius, the two greatest symphony composers of their day, had such wildly diverging views on the nature of the symphony remains perplexing. When they met in Helsinki in November 1907, Mahler voiced his conviction that a symphony should be “like the whole world, encompassing everything”, whereas Sibelius took the view that a symphony should exhibit a “strict inner logic”.

Daniel Harding brings the composers together with this programme. With Sibelius’s Tapiola, he takes the audience into the vastness of the Finnish forests. In his last orchestral work – a late high point in the transition between Romanticism and Modernism – Sibelius tells of “the gloomy forests of Nordland” and of “forest spirits” in the darkness.

Though Gustav Mahler complained that his Fifth was a “cursed work” as no one understood it, it is today one of his most popular symphonies. This is likely due to the moving Adagietto, which became universally known through its use in Visconti’s film adaptation of Thomas Mann’s Death in Venice.

English

Sibelius Mahler by Sibelius, Mahler, fre. 05 apr. 2024, Fra (2024/2024), Dirigent Daniel Harding, Isarphilharmonie, Munich, Germany

Forestilling krediteringer (Medvirkende & Produktionshold )

Ensemble

Program, Information & Oversigt

Fotos

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder