Name: Tosca
Start: 2024-04-20T00:00:00.000Z
End: 2024-04-21T00:00:00.000Z
Location: Opera Romana Cluj-Napoca

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Opera Națională Română Cluj-Napoca

Conductor

David Crescenzi

Stage director

Matteo Mazzoni

Set designer

Elisabetta Salvatori

Costume designer

Roberta Fratini

Video designer

Luca Attili

Lighting designer

Lorenzo Caproli

Chorus master

Corneliu Felecan

Singer

Soprano

Aurelia Florian

Floria Tosca

Lali Khabalova

Nadia Cerchez

Tenor

Hector Lopez

Mario Cavaradossi

Cristian Mogoșan

Baritone

Florin Estefan

Baron Scarpia

Cătălin Ţoropoc

Bass

Corneliu Huțanu

Cesare Angelotti

Simonfi Sandor

Petre Burcă

The sacristan

Molnár Zoltán

Eusebiu Huțan

Spoletta

Florin Pop

Sebastian Balaj

Sciarrone

David Pogana

Horaţiu Ruşti

A jailer

Child vocalist

Diana Barz

A shepherd

Maria Popa Barz

Anca Mona Mariaș

Orchestra

Operei Naționale Române Cluj-Napoca

Others

Choir of the Cluj National Opera

italiera

Tosca

Cluj-Napoca

Romania

Opera Romana Cluj-Napoca

Sala Mare

Public

Private

Larissa Andrea Pereira

errumaniera

Approved

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Instrumentalist

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Baroque Trumpetist

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Bassoonist

Cellist

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Chefdirigent Musiktheater

Choir

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Writing and performance

Contralto

Mezzo-soprano

Bass-baritone

Countertenor

Alto

Continuo

Silent

Spoken

Opera in three acts on a libretto by Luigi Illica and Giuseppe Giacosa, after the drama La Tosca by Victorien Sardou

Recommended age limit: 9+

After seeing Victorien Sardou’s drama La Tosca, Puccini immediately asked the famous editor Giulio Ricordi to negotiate with the French writer the copyright, offered in exchange for Italian composer Alberto Franchetti. A year later, in 1894, the libretto of Franchetti’s future opera was ready to be presented to Sardou. However, a few months later, Franchetti gives up writing music for Tosca, a fact which determines Ricordi to offer the libretto to Puccini. Verdi’s power of persuasion was decisive in the composer’s decision to finally accept the project, even though he was offended because he was not the first to be offered…

The close revision of the libretto, made by Illica together with Giacosa, provided Puccini the basis for the most representative opera of his maturity style. Tosca highlights the composer’s ability to shape through musical language complex heroes, strong characters carried within a dramatic development with tragic ends for every one of them. Neither singer Floria Tosca, fully committed to her feelings for painter Mario Cavaradossi, but extremely jealous, nor her lover – led by revolutionary feelings, capable of making the supreme sacrifice to protect his fellow Angelotti, nor the vile Baron Scarpia – the chief of the pontifical police, strongly attracted to Tosca, whose favors he tries to obtain at all costs, can survive the turmoil of the political and romantic events which occur during the three acts, in locations that are specific to 1800’s Rome.

The world premiere of Teatro Costanzi, on 14 January 1900, brought the public a work whose popularity would maintain throughout time. According to information from the program Operabase, during 2007-2012 Tosca placed fifth at the top of played opera performances.

We are looking forward to seeing you discover it!

The performance has two breaks and ends around 9:30 p.m.
The performance is interpreted in Italian with supratitration in Romanian.

English

Operă în trei acte pe un libret de Luigi Illica și Giuseppe Giacosa, după drama La Tosca de Victorien Sardou.Atenta revizuire a libretului de către Illica, în asociere cu Giacosa, i-a oferit lui Puccini fundamentul pentru cea mai reprezentativă operă a stilului său de maturitate. Tosca pune în lumină capacitatea sa de a contura, prin intermediul limbajului muzical, personaje complexe, caractere puternice antrenate într-un parcurs dramatic cu final tragic pentru fiecare dintre acestea. Nici cântăreața Floria Tosca, complet dedicată sentimentelor sale pentru pictorul Mario Cavaradossi, însă extrem de geloasă, nici iubitul ei – animat de sentimente revoluționare, capabil de sacrificiul suprem pentru protejarea confratelui său Angelotti și nici josnicul baron Scarpia – șeful poliției pontificale, dominat de atracția față de Tosca, ale cărei favoruri încearcă să le obțină cu orice preț, nu supraviețuiesc tumultului evenimentelor de esență politică și romantică, care se petrec pe parcursul celor trei acte în locații specifice Romei anilor 1800.

Premiera mondială de la Teatro Costanzi din 14 ianuarie 1900 a adus în fața publicului un titlu a cărui popularitate avea să se păstreze de-a lungul timpului. Conform informațiilor din cadrul programului Operabase, în perioada 2007-2012 Tosca s-a situat pe poziția a cincea în topul celor mai interpretate spectacole de operă.

Spectacolul are două pauze şi se încheie în jurul orei 22:00.

Spectacolul este interpretat în limba italiană cu supratitrare în limba română.

Vârsta recomandată: 8+

română

Tosca by Puccini, lr. 20 api. 2024, Noiztik (2024/2024), Zuzendaria Matteo Mazzoni,, Zuzendaria David Crescenzi, Anca Mona Mariaș, Opera Romana Cluj-Napoca, Cluj-Napoca, Romania

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