Name: Turandot
Start: 2017-10-11T00:00:00.000Z
End: 2018-05-02T00:00:00.000Z
Location: Slovak National Theatre New Building

Admin

Organization

Sänger

Sopran

Silvia Sorina Munteanu

Turandot

Anda-Louise Bogza

Maida Hundeling

Tenor

Ernesto Grisales

Calaf

Michal Lehotský

Boldizsár László

Adriana Kohútková

Liù

Katarína Flórová

Bass

Martin Malachovský

Timur

Ján Galla

Peter Mikuláš

Bariton

Ján Ďurčo

Ping

Daniel Čapkovič

Ján Babjak

Pang

Ondrej Šaling

Jozef Kundlák

Pong

Tomáš Juhás

Ivan Ožvát

Kaiser Altoum

Igor Pasek

František Ďuriač

Ein Mandarin

Mikuláš Doboš

Dirigat

Rastislav Stur

Dušan Štefánek

Regie

Jozef Bednárik

Bühnenbild

Vladimír Čáp

Kostümbild

Ludmila Várossová

Chordirektion

Ladislav Kaprinay

Dramaturgie

Martin Bendik

Slavomír Jakubek

Róbert Remeselník

Charles Kim

Slovak National Theatre

Italienisch

Bratislava

Slowakei

Slovak National Theatre New Building

Turandot Puccini

Public

Slowakisch

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chefdirigent Musiktheater

Chor

Choreographie

Chorus Director

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Lehrer

Leitender Produzent

Libretto

Lichtgestaltung

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Mezzosopran

Countertenor

Bass-Bariton

Alto

Continuo

Kinderstimme

Singer

Sprechrolle

Stumme Rolle

The story that Puccini's Turandot presents to the audience is two centuries older than this opera. Originally linked to the legendary Tales of a Thousand and One Nights from the 17th century. Since then, it has undergone a number of treatments. And it was Puccini's librettists Giuseppe Adami and Renato Simoni who were fascinated by one of them, created by a prominent Italian playwright from the Renaissance, Carlo Gozzi. Criticizing his companion Carl Goldoni for allegedly being too French-influenced in his work, he turned to fairy-tale themes inspired by the famous form of Italian folk theater - the commediou dell´arte. After all: he was far from the only one fascinated by the tale of the cruel Princess Turandot. After all, at the beginning of the twentieth century, one of the greats of the art of staging at the time took it, the great reformer (not only) of the Russian theater JB Vachtangov - and his stage performance of Gozzi's work lasted on the stage in 1,500 reruns for several decades! It is strange that this topic also enchanted the phenomenon of Giacomo Puccini's veristic opera. Verism is opera realism: and at the forefront of its interest are harsh and moving stories from life, such as the fate of the fragile Mimi of Bohemia, Floria Tosca of the author of the same name, but speaking of verists, the tragedy of the old principal Cania of Leoncavall's Comedians, who will be brought to a terrible end by burning jealousy. But what does a fairy tale have in common with such a realistic view of the world? Well: this is not the only case in which the composer seeks deep truths about the depths of human souls in a fairy tale. Can we say, such, Dvořák's Rusalka is a "pure fairy tale"? Don't we see a glimpse of deeper psychology in the image of a water fairy whose dark spell bound its tongue? So Puccini, though in a completely different musical language, leans towards the characters of the fairy tale with a deep knowledge of the human psyche, as if they were real beings. Where are the boundaries of reality and fairy tales?

English

Turandot by Puccini, Mi. 11 Okt. 2017, Ab (2017/2018), Unter der Regie von Jozef Bednárik,, Dirigat Rastislav Stur, Dušan Štefánek, Slovak National Theatre New Building, Bratislava, Slowakei

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Programm, Über & Zusammenfassung

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

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