Organization

Dyrygent

Ivo Lipanović

Reżyseria

Goran Golovko

Scenografia

Marin Gozze

Kostiumy

Mladen Radovniković

Przygotowanie chóru

Veton Marevci

Reżyseria światła

Srđan Barbarić

Wideo

Darko Škrobonja

Śpiewak

Tenor

Max Jota

Gustaw III

Baryton

Matija Meić

Renato

Marko Lasić

Sopran

Daniela Schillaci

Amelia

Julia Radosz

Kontralt

Terezija Kusanović

Ulryka

Branka Pleština Stanić

Oskar

Neda Aleksić

Joško Tranfić

Christian

Vlatko Belas

Mate Akrap

Ribbing

Felipe Cudina Begovic

Božo Župić

Horn

Špiro Boban

Sędzia

Goran Velić

Służący Amelii

Associate Director

Jelena Bosančić

Ana Šabašov

HNK Split

Orchestra

HNK Split Orchestra

Others

HNK Split Choir

Un ballo in maschera -  (Bal maskowy)

Split

Chorwacja

Un ballo in maschera Verdi

Public

Bal maskowy

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bas - baryton

Kontratenor

Mezzosopran

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Ballo in maschera

If Verdi's Crab Dance was just a "love story with a political conspiracy in the background", it would certainly provide her with initial intrigue, but certainly not the popularity that only the musical-scenic splendor characteristic of his entire oeuvre could give her. elegance, airiness and sophistication of the whole score. In addition, the eternal emphasis on the fact that people like to be disguised, that is, to skillfully hide behind various masks, at the libretto level enabled Verdi to skillfully vary and grade the theme of the issue as a background but dominant line that guides the whole action. Because, like on the occasion of the Crab Dancealready noticed, ”in this opera there is no person who would not carry the betrayal on his back. The king betrays a friend because he seduces his wife, the wife betrays her husband because he has an immoral relationship, the friend betrays the king because he wants to kill him out of revenge ", but on top of all that Verdi, as always, seeks and finds ways to betray the love theme , that is, the conspiratorial theme, as two leitmotifs of the whole opera connects and implements as a work which, despite constant and numerous contrasts, has its characteristic color ( tinta musicale ) which exudes equally other Verdi's most successful operas.

English

Da je Verdijev Krabuljni ples samo “ljubavna priča s političkom urotom u pozadini“, to bi joj svakako osiguralo početnu intrigantnost, ali svakako ne i popularnost kakvu joj je mogla dati samo glazbeno-scenska raskoš karakteristična za cijeli njegov opus kojega ovdje krase još i nedostižna elegancija, prozračnost i istančanost cjelokupne partiture. K tome, vječno isticanje činjenice da su ljudi rado zakrabuljeni, odnosno da se vješto skrivaju iza raličitih maski, na razini libreta omogućila je Verdiju da vješto varira i gradira temu izdaje kao pozadinsku ali dominantnu liniju koja vodi cijelu radnju. Jer, kao što je povodom Krabuljnog plesa već zapažano, ”u ovoj operi nema osobe koja ne bi izdaju nosila na svojim leđima. Kralj izdaje prijatelja jer zavede njegovu ženu, žena izdaje muža, jer se upustio u  nemoralnu vezu, prijatelj izdaje kralja, jer ga iz osvete želi ubiti”, no, povrh svega toga Verdi kao i uvijek traži i pronalazi načina da ljubavnu temu i temu izdaje, odnosno zavjereničku temu, kao dva leitmotiva cijele opere poveže i provede kao djelo koje unatoč stalnim i brojnim kontrastima ima svoju karakterističnu boju (tinta musicale) kojom jednako odišu i druge Verdijeve najuspjelije opere.

hrvatski

Bal maskowy by Verdi, pt 25 lut 2022, od (2022/2022), W reżyserii Goran Golovko,, Dyrygent Ivo Lipanović, HNK, Split, Chorwacja

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca