Organization

Conductor

Ivo Lipanović

Stage director

Goran Golovko

Set designer

Marin Gozze

Costume designer

Mladen Radovniković

Chorus master

Veton Marevci

Lighting designer

Srđan Barbarić

Video designer

Darko Škrobonja

Tenor

Max Jota

Richard

Baritone

Matija Meić

Renato

Marko Lasić

Soprano

Daniela Schillaci

Amelia

Julia Radosz

Contralto

Terezija Kusanović

Ulrica

Branka Pleština Stanić

Oscar

Neda Aleksić

Bass

Joško Tranfić

Silvano

Vlatko Belas

Mate Akrap

Samuel

Felipe Cudina Begovic

Božo Župić

Špiro Boban

A judge

Goran Velić

A servant of Amelia

Associate Director

Jelena Bosančić

Ana Šabašov

HNK Split

Orchestra

HNK Split Orchestra

Others

HNK Split Choir

Un ballo in maschera -  (A Masked Ball)

Split

Croatia

Un ballo in maschera Verdi

Public

A Masked Ball

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Ballo in maschera

If Verdi's Crab Dance was just a "love story with a political conspiracy in the background", it would certainly provide her with initial intrigue, but certainly not the popularity that only the musical-scenic splendor characteristic of his entire oeuvre could give her. elegance, airiness and sophistication of the whole score. In addition, the eternal emphasis on the fact that people like to be disguised, that is, to skillfully hide behind various masks, at the libretto level enabled Verdi to skillfully vary and grade the theme of the issue as a background but dominant line that guides the whole action. Because, like on the occasion of the Crab Dancealready noticed, ”in this opera there is no person who would not carry the betrayal on his back. The king betrays a friend because he seduces his wife, the wife betrays her husband because he has an immoral relationship, the friend betrays the king because he wants to kill him out of revenge ", but on top of all that Verdi, as always, seeks and finds ways to betray the love theme , that is, the conspiratorial theme, as two leitmotifs of the whole opera connects and implements as a work which, despite constant and numerous contrasts, has its characteristic color ( tinta musicale ) which exudes equally other Verdi's most successful operas.

English

Da je Verdijev Krabuljni ples samo “ljubavna priča s političkom urotom u pozadini“, to bi joj svakako osiguralo početnu intrigantnost, ali svakako ne i popularnost kakvu joj je mogla dati samo glazbeno-scenska raskoš karakteristična za cijeli njegov opus kojega ovdje krase još i nedostižna elegancija, prozračnost i istančanost cjelokupne partiture. K tome, vječno isticanje činjenice da su ljudi rado zakrabuljeni, odnosno da se vješto skrivaju iza raličitih maski, na razini libreta omogućila je Verdiju da vješto varira i gradira temu izdaje kao pozadinsku ali dominantnu liniju koja vodi cijelu radnju. Jer, kao što je povodom Krabuljnog plesa već zapažano, ”u ovoj operi nema osobe koja ne bi izdaju nosila na svojim leđima. Kralj izdaje prijatelja jer zavede njegovu ženu, žena izdaje muža, jer se upustio u  nemoralnu vezu, prijatelj izdaje kralja, jer ga iz osvete želi ubiti”, no, povrh svega toga Verdi kao i uvijek traži i pronalazi načina da ljubavnu temu i temu izdaje, odnosno zavjereničku temu, kao dva leitmotiva cijele opere poveže i provede kao djelo koje unatoč stalnim i brojnim kontrastima ima svoju karakterističnu boju (tinta musicale) kojom jednako odišu i druge Verdijeve najuspjelije opere.

hrvatski

A Masked Ball by Verdi, šeš 28 geg 2022, Nuo (2022/2022), Režisierius Goran Golovko,, Dirigentas Ivo Lipanović, HNK, Split, Croatia

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