Name: Vfco Pappano Pletnev
Start: 2024-07-28T00:00:00.000Z
End: 2024-07-28T00:00:00.000Z
Location: Salle des Combins

Admin

Verbier Festival

Conductor

Antonio Pappano

Orchestra

Verbier Festival Chamber Orchestra

Instrumentalist

Mikhail Pletnev

Piano

Vfco / Pappano / Pletnev

Bagnes

Switzerland

Salle des Combins

Vfco / Pappano / Pletnev: Il barbiere di Siviglia Rossini (+1 More)

Public

The Barber of Seville

Piano Concerto No. 26 D major

Akshay C K

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Soprano

Tenor

Bass

Countertenor

Mezzo-soprano

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Premiered in 1816, Rossini’s opera Il barbiere di Siviglia opens on an overture sparkling with twists, turns, pauses and explosions, and making good use both of the oboe and of the famous ‘Rossini crescendo,’ whereby a phrase is repeated while growing in speed and volume. Mozart’s Piano Concerto No. 26 dates from 1788, the year after his opera Don Giovanni. The violins introduce all three of its graceful first movement’s themes, before the piano leads the way for both the simple, songful Larghetto, and the grand rondo finale. There’s a Mozartian air to the ebullient first movement of Bizet’s Symphony in C, composed in 1855 when he was 17, and unperformed until its rediscovery in 1933. Next come an Adagio whose exotic theme is presented by oboe, and a bounding Scherzo with a trio coloured by pastoral drones. The playfully racing finale then contrasts a jaunty, Carmen-esque march against a smoother second theme.

English

Créé en 1816, l’opéra de Rossini Le Barbier de Séville commence par une ouverture étincelante, toute en rebondissements, pauses, déflagrations. Le hautbois y a la part belle, comme le fameux « crescendo Rossini », qui consiste à répéter une phrase en augmentant sa vitesse et son volume. Le Concerto pour piano N°26 de Mozart date de 1788, l’année qui suit l’opéra Don Giovanni. Les violons introduisent les trois thèmes du gracieux premier mouvement, avant que le piano n’ouvre la voie au Larghetto simple et chantant qui suit, puis au grand Rondo final. Composée par Bizet en 1855 à l’âge de 17 ans, la Symphonie en ut n’a pas été jouée jusqu’à sa redécouverte en 1933. Après un premier mouvement mozartien, vient un Adagio dont le thème exotique est présenté par le hautbois. Le Scherzo bondissant est doté d’un trio coloré de bourdons pastoraux. Le Finale rapide oppose une marche enjouée, digne de Carmen, à un second thème plus doux.

français

Vfco / Pappano / Pletnev by Rossini, Mozart, P 28 juuli 2024, Alates (2024/2024), Dirigent Antonio Pappano, Salle des Combins, Bagnes, Switzerland

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