Frammistaða áskriftir
Fyrri sýningar 2001 — Í gær
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Opéra de LausanneFilippyevna
Skoða leikara og mannskapYevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Filippyevna
Skoða leikara og mannskapLes contes d'Hoffmann (The Tales of Hoffmann), Offenbach
Opéra de LausanneLa voix de la mère/La voix de la tombe (Voice of Antonia's mother/The voice from the grave)
Skoða leikara og mannskapSýndar fyrri sýningar
Yevgeny Onegin (Eugene Onegin), Tchaikovsky, P. I.
Opéra de LausanneFilippyevna
Skoða leikara og mannskap
Les contes d'Hoffmann (The Tales of Hoffmann), Offenbach
Opéra de LausanneLa voix de la mère/La voix de la tombe (Voice of Antonia's mother/The voice from the grave)
Skoða leikara og mannskap
Æviágrip
Born in China, Qui Lin Zhang lives in Paris where she has been formed at the Schola Cantorum then at the Conservatoire de Toulouse. She won in 1995 the Grand Prix du Concours International de Marmande as well as the Masters of French Chant in Paris the same year. Qiu Lin Zhang sang Maddalena in Rigoletto in Rennes, Sesto in La Clemenza di Tito and Susuki in Madama Butterfly in Saint-Etienne and Marseille, Carmen at the Festival in Hong Kong with the Orchestra National de Lille, Ute in Happy Nibelungen by Oscar Straus in Caen. At the Theatre du Capitole de Toulouse Mère Jeanne in Dialogues des Carmelites, Néris in Medea by Cherubini, Third Dame in Die Zauberflöte, Erda and First Norn in Der Ring des Nibelungen, the Voice of the Mother in Les Contes d’Hoffmann, Eine Stimme von Oben in Die F
