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1Overture on Hebrew Themes, op. 34, Prokofiev
C: Enrico Fagone
Martha, the elusive
On the podium, Enrico Fagone, who in Liszt's concert let himself be guided by Argerich, complying with every agogic and dynamic request, in De Falla's captivating work, suspended between the folkloristic experience of Albéniz and Granados and the impressionist influence of Debussy, shows a real narrative awareness in which the choreographic element of the Latin score is enhanced without giving in to the easy assimilability of musical language.
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