Προηγούμενες Κριτικές Παραγωγής
4The cast of very young people is led here by captain Roberto Scandiuzzi in the role of the old but hilarious Don Pasquale. Now a seasoned actor, he moves with his usual effectiveness in the role of an old selfish who gradually pushes an enthusiastic audience to tenderness for his every move, initiative and above all for how he drags the entire company into his vortex of conflicting emotions. The slightly eccentric Norina by Rosalia Cid Tarrio is splendid : sensual and stable voice in all its modulations, the movements of an expert cabaret artist and a very clever interpreter that convinces and amuses. Pietro Adainihe is one of those promising young people who have been moving with ease in opera houses for some years, interpreting with sensitivity and coherence the roles of sensitive lovers with a delicate and pleasant voice; his Ernesto pleases and convinces despite the fact that in some rare passages he seemed not perfectly focused. Pierpaolo Martella is a slimy and casual Malatesta both vocally, although not bulky in sounds, as scenically; the Notaro by Antonio Feltracco was very entertaining .Also very young is Maestro Ferdinando Sulla who gives a touch of panache without overdoing the Regional Orchestra Filarmonia Veneta . Since the opening, his energy is sharp and portends a lively show full of emotions. But his touch can also become soft and caressing when the moment requires it, accompanying the performers step by step in their singing adventure, without a stick to better 'caress' the notes. The Iris Ensemble choir by Marina Malavasi did well .
[...] Ferdinando Sulla dirige con cura e precisione l’Orchestra Regionale Filarmonica Veneta. Il giovane direttore calabrese conferisce un piglio scattante ed euritmico alla partitura donizettiana sin dalla splendida Sinfonia per poi seguire con perizia i cantanti in assoli ed ensemble. [...] Il pubblico, letteralmente in visibilio, ha applaudito lungamente e con grande trasporto tutto il cast alla fine della recita.
