Etenduse krediiti
Tulevased etendused Tänasest Edasi
Varasemad etendused 2003 – eile
La vestale (The Vestal Virgin), Spontini
Thessaloniki Concert HallStage director
Vaadake näitlejaid ja meeskondaLa vestale (The Vestal Virgin), Spontini
Teatro GrattacieloStage director
Vaadake näitlejaid ja meeskondaI am a dreamer who no longer dreams, Sosa, J.
Syracuse OperaStage director
Vaadake näitlejaid ja meeskondaI am a dreamer who no longer dreams, Sosa, J.
Tri-cities OperaStage director
Vaadake näitlejaid ja meeskondaDon Giovanni, Mozart
SOCIEDAD ARTISTICA DEL TECNOLOGICOStage director
Vaadake näitlejaid ja meeskondaEsiletõstetud varasemad esinemised
La vestale (The Vestal Virgin), Spontini
Thessaloniki Concert HallStage director
Vaadake näitlejaid ja meeskonda
La vestale (The Vestal Virgin), Spontini
Teatro GrattacieloStage director
Vaadake näitlejaid ja meeskonda
I am a dreamer who no longer dreams, Sosa, J.
Syracuse OperaStage director
Vaadake näitlejaid ja meeskonda
I am a dreamer who no longer dreams, Sosa, J.
Tri-cities OperaStage director
Vaadake näitlejaid ja meeskondaTulevased etendused
5L'elisir d'amore (The Elixir of Love), Donizetti
Cultural Conference Center of HeraklionStage director
Vaadake näitlejaid ja meeskondaBeyond the Horizon, Flagello, N.
Teatro GrattacieloCostume designer
Vaadake näitlejaid ja meeskondaL'elisir d'amore, Donizetti
Camerata Bardi Vocal AcademyStage director + 1 rolli
Vaadake näitlejaid ja meeskonda
Biograafia
Recognized internationally as a “winning baritone with comedic skills”, Greek-American baritone Stefanos Koroneos continues to build a reputation as a world-class performer with his extensive engagements around the globe. Stefanos’ recent performance highlights have included the baritone solo in Captain Michael with the Berlin Philharmonic, the title role in Don Pasquale and the role of Dulcamara in L’elisir d’Amore with Miami Lyric Opera, and the roles of the General in Sakellaridis’ operetta The Godson with the Greek National Opera, Sagristano in Toscawith LoftOpera, Dandini in La Cenerentola with New York City Opera Renaissance, and the King in Gotham Chamber Opera’s production of El Gato con Botas, where his performance received critical acclaim from both The New York Times and
