Creditele spectacolului
Spectacole viitoare Astăzi Încolo
Spectacole anterioare 2009 — Ieri
Der Rosenkavalier (The Knight of the Rose), Strauss
Lithuanian National Opera and Ballet TheatreDer Baron Ochs auf Lerchenau (Baron Ochs of Lerchenau)
Vedeți distribuția și echipaA kékszakállú herceg vára (Bluebeard's Castle), Bartók
Lithuanian National Opera and Ballet TheatreA kékszakállú herceg (Bluebeard)
Vedeți distribuția și echipaFaust, Gounod
Lithuanian National Opera and Ballet TheatreMéphistophélès (Mephistopheles)
Vedeți distribuția și echipaDon Carlo, Verdi
Latvian National OperaFilippo II (Philip II) + 1 roluri
Vedeți distribuția și echipa-
Spectacole anterioare prezentate
Der Rosenkavalier (The Knight of the Rose), Strauss
Lithuanian National Opera and Ballet TheatreDer Baron Ochs auf Lerchenau (Baron Ochs of Lerchenau)
Vedeți distribuția și echipa
A kékszakállú herceg vára (Bluebeard's Castle), Bartók
Lithuanian National Opera and Ballet TheatreA kékszakállú herceg (Bluebeard)
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Faust, Gounod
Lithuanian National Opera and Ballet TheatreMéphistophélès (Mephistopheles)
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Spectacole viitoare
2Don Carlo, Verdi
Latvian National Opera and BalletIl Grande Inquisitore (The Grand Inquisitor)
Vedeți distribuția și echipaJules Massenet: Opera Teresė, Massenet
Pažaislis music festivalBass
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Biografie
Tadas Girininkas was born in Lithuania, he has gained the master’s degree at Lithuanian Academy of Music and Theatre in 2009 (professor V. Prudnikovas). Tadas recently debuted in the role of Wurm (Luisa Miller) at the Essen Alto Theatre. In the 2018/2019 seasonhe joins the ensemble at Staatstheater Nürnberg, where he will debut as Dolochow and Jacqueau in S. Prokofiev’s “War and Peace”, will sing Oroveso (Norma), Don Alfonso (Cosi fan tutte) and Bonzo (Madama Butterfly). His 2019/2020 engagements include Mefistophele (Faust) in St. Gallen. In the summer of 2018, he had debut in Germany as Brogny in La Juive in Konstanz. His 2016/2017 season was marked with his debut as Mefistophele(Faust) at Vilnius City Opera, also singing Cadmus and Somnus in G.F. Händel’s “Semele” and Oralto in A. V
