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Tenor

Timo Rößner

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Born in Berlin, tenor Timo Rößner, praised by opera glasses for his "excellent diction and warm, lyrical timbre", studied song, oratorio and opera singing at the University of Music and Drama in the class of Prof. Jörn Dopfer. He completes his training with various master classes with Margreet Honig, Eric Schneider, Mark Tucker, Rufus Müller, Thomas Thomaschke, Edda Moser, James Hooper, Doreen DeFeis and Ingeborg Danz.
In addition to numerous productions with the Theaterakademie Hamburg (including roles such as Pygmalion in F. von Suppé's "The Beautiful Galathee", Don Basilio in WA Mozart's "Le nozze di Figaro" and Camille de Rosillon in F. Lehár's Operetta "The Merry Widow") first guest engagements took him to the Kiel Opera (2011: Barigoule in P. Viardot's "Cendrillon", 2013/14: Mercure in J. Offenbach's "Orphée aux enfers), the Hebbel am Ufer Theater (2011: Duval in F. Schubert's" Der four-year post ") and the Lüneburg Theater (2014: Monostatos in WA Mozart's" The Magic Flute ").
From 2015-2017 the young tenor was a permanent member of the ensemble at the Lüneburg Theater, where he played roles such as Jaquino (L. van Beethoven - "Fidelio"), Beppe / Arlecchino (R. Leoncavallo - "Pagliacci") and Cassio (G. Verdi - "Otello") knew how to inspire. Timo Rößner was also allowed to design the parts of Tassilo (E. Kálmán - "Countess Mariza"), Adam (C. Zeller - "The Bird Merchant) and Fenton (O. Nicolai -" The Merry Wives of Windsor) in semi-scenic performances . He could also be seen in children's versions as Don Ramiro (G. Rossini - "La Cenerentola") and Oronte (GF Handel - "Alcina).

At the start of the 2017/18 season, he switched to the ensemble of the Thuringia Theater and Philharmonic Orchestra (Landestheater Altenburg and Gera) and, with great enthusiasm, designed roles such as Pedrillo (WA Mozart - "The Abduction from the Seraglio"), Fatty, the authorized officer ( K. Weill - "Rise and Fall of the City of Mahagonny"), Wenceslaus (B. Smetana - "The Bride Sold") and Count Stanislaus (C. Zeller - "The Bird Merchant"). He also recently sang Hans (L. Jessel - "Das Schwarzwaldmädel") and Pedrillo(WA Mozart - "The Abduction from the Seraglio") at the Meininger State Theater. Several well-known directors such as Philipp Himmelmann, Roland Schwab, Matthias Oldag, Michael Sturm, Hinrich Horstkotte, Kay Kuntze, Kobie van Rensburg and Michiel Dijkema were responsible for this.

In the concert field, Timo Rößner was able to develop a wide repertoire from the Renaissance to the modern. First of all, here are the evangelist parts in JS Bach's Christmas Oratorio , the St. John and St. Matthew Passion , which he always knows to create vividly and visually. Other works such as GF Handel's "Messiah", WA Mozart's "Requiem", J. Haydn's "Creation" and "Stabat mater" belong to his repertoire as well as works by C. Orff ("Catulli Carmina"), IF Strawinski ("Les noces ") and G. Verdi (" Messa da Requiem ").

Working with composers such as Antonis Adamopoulos, Thomas Dorsch, Stephan Peiffer and Ursula Mamlok also shaped his musical career.
Timo Rößner has already sung with orchestras such as the Hamburg Symphony Orchestra, the Baroque Orchestra Hamburg, the Lüneburg Symphony Orchestra, the L'arpa festante, the Brandenburg Symphony Orchestra, the Kiel Philharmonic Orchestra, the Camerata Hamburg, the Central German Philharmonic Orchestra, the Meininger Hofkapelle and the Altenburg Philharmonic Orchestra -Gera.
He worked with conductors such as Leo Siberski, Willem Wentzel, Thomas Dorsch, Siegfried Schwab, Gerard Oskamp and Laurent Wagner. Concerts have taken to places such as the chamber music hall of the Berlin Philharmonic, the Laeiszhalle Hamburg and the Hamburg St. Michaelis Church as well as to other European countries to Austria, Poland and Portugal.
Timo Rößner is a laureate of the international vocal competition of the Chamber Opera Schloss Rheinsberg 2013, received the Belcanto Promotional Award Wernigerode 2015 and won the 2nd prize at the Mozart Competition Hamburg 2016.

English

Der von der Fachzeitschrift Opernglas für seine „exzellente Diktion und sein warmes, lyrisches Timbre“ gelobte Tenor Timo Rößner studierte Lied-, Oratorien- und Operngesang an der Hochschule für Musik und Theater Hamburg in der Klasse von Prof. Jörn Dopfer und absolviert aktuell das Meisterklassenexamen an der Hochschule für Musik und Theater „Felix Mendelssohn Bartholdy“ Leipzig bei Prof. Berthold Schmid. Seine Ausbildung rundet er durch diverse Meisterkurse bei Margreet Honig, Eric Schneider, Mark Tucker, Rufus Müller, Thomas Thomaschke, Edda Moser, James Hooper, Doreen DeFeis und Ingeborg Danz ab.

Fest- und Gastengagements führten ihn an das Meininger Staatstheater sowie die Opernhäuser in Kiel, Lüneburg, Görlitz, Annaberg-Buchholz, Altenburg, Gera und Chemnitz (Rollen u.a. Adam, Camille de Rosillon, Cassio, Hans, Nemorino, Pedrillo, Steuermann).

Auch im Konzertfach konnte sich Timo Rößner ein breit gefächertes Repertoire von der Renaissance bis zur Moderne erarbeiten. Mit seiner „[…] besonders wandelbare[n] Stimme wechselt [Rößner] mühelos zwischen dramatischen und lyrischen Momenten“, wie ihm die Sächsische Zeitung nach einer Aufführung der Bach’schen Johannespassion bescheinigt. Neben den großen Oratorien J.S. Bachs gehören Werke wie G.F. Händels „Messiah“, W.A. Mozarts „Requiem“, J. Haydns „Schöpfung“, „Jahreszeiten“ und „Stabat mater“ genauso zu seinem Repertoire wie Werke von C. Orff („Catulli Carmina“), I.F. Strawinski („Les Noces“), G. Rossini („Petite Messe solennelle“) und G. Verdi („Messa da Requiem“).

Die Zusammenarbeit mit zeitgenössischen Komponisten wie Antonis Adamopoulos, Thomas Dorsch, Oliver Ostermann, Stephan Peiffer und Ursula Mamlok prägten seinen musikalischen Werdegang.

Timo Rößner ist Preisträger des internationalen Gesangswettbewerbs der Kammeroper Schloss Rheinsberg, erhielt den Belcanto Förderpreis Wernigerode und gewann den 2. Preis beim Mozart-Wettbewerb Hamburg. Er wurde zudem von 2019-2020 durch das mArts-Programm, finanziert von dem Sächsischen Staatsministerium für Wissenschaft und Kunst, gefördert.

An der Hochschule für Musik und Theater Hamburg unterrichtet er als Lehrbeauftragter das Fach Gesang und ist seit einigen Jahren Gesangsdozent beim Internationalen Seminar für Alte Musik in Österreich.

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