Countertenor

Tom Scott-Cowell

Artist

Approved

2020

2019

2018

2017

Individual contributor id

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Flautist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Soprano

Singer

Bass

Mezzo-soprano

Bass-baritone

Tenor

Baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Agreed Trailer

The throne has been usurped. The exiled king, Bertarido, is now believed dead. As Rodelinda mourns her husband, Grimoaldo the usurper moves to make her his queen - yet all is not as it seems... 

Everyone has a plan, but only one can rule. First performed in London in 1725, this production by Director Jo Davies and Designer Joanna Parker shows us how the issues explored in Handel’s Rodelinda still resonate today. The RCM look forward to presenting this operatic gem under the baton of Michael Rosewell.

Tom Scott-Cowell

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