Personiskas recenzijas
1The soloists also sounded amazing. Rachmaninoff gave a part to each of them in a four-part poem (except for the third - completely choral), and each managed to catch and convey the necessary moods of his number - as if tenor Sergei Ababkin, flaunting his sonority and free tops, conquering soprano Yulia Petrachuk with poignant piercing, flaunting the Faustian motifs of the triumph of death bass Grigory Soloviov.
Recenzijas par iepriekšējiem iestudējumiem
3Yulia's debut as a professional opera singer was with the State Theater Bern, Switzerland, in 2010. According to Daniel Rigazzi, Stage Director at the Metropolitan Opera in New York City,“Yulia is a special and unique artist, able to hold her own on any stage in the world”.
On July 11th, 2019, at Weill Recital Hall at Carnegie Hall, Lyrica Classic Entertainment presented the mono-opera The Love Letters by Ukrainian composer Vitaly Hubarenko. Yulia Petrachuk became the first soprano to perform this opera in the United States. Her warm timbre, musicality, and incredible emotional involvement take the breath of every listener in the audience. Conductor Yuriy Yanko, Chief Conductor of the Kharkiv Philharmonic and Honored Artist of Ukraine, follows the soprano with such grace, giving her space at every emotional moment, and leads the orchestra Symphony in C like it's one instrument.
“Soprano Yulia Petrachuk then shone from the start with her powerful, expressive voice, with which she was also able to outshine the orchestra. She underlined the text in a dramatic way with her facial expressions and gestures, with her expressive body movements. And where the drama demanded it, she fascinated with brilliant top tones. The listeners experienced an atmospheric instrumental narration during two orchestral interludes in the unmistakable Strauss melody. The melancholy, quiet passages were just as touching as the monstrous splendor of the full orchestral sound, which culminated in a self-destructive dance of Elektra. Endless applause and shouts of bravo came from the audience in response to this stunning performance by Petrachuk and the Thuringia Philharmonic conducted by Ernest Hoetzl….”
