Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2007 — Inné
Die Zauberflöte (Sharon), Mozart
State Opera BerlinStage director
Féach ar an bhfoireann agus an fhoireann-
Proximity: A Trio of New American Operas, Various
Lyric Opera of ChicagoStage director
Féach ar an bhfoireann agus an fhoireannDie Zauberflöte (Sharon), Mozart
State Opera BerlinStage director
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Die Zauberflöte (Sharon), Mozart
State Opera BerlinStage director
Féach ar an bhfoireann agus an fhoireann-
Proximity: A Trio of New American Operas, Various
Lyric Opera of ChicagoStage director
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
14Příhody lišky Bystroušky (The Cunning Little Vixen), Janáček
The Cleveland OperaStage director
Féach ar an bhfoireann agus an fhoireannDenève: The Seven Deadly Sins, UllmannWeill
New World SymphonyStage director
Féach ar an gclár, an fhoireann agus an fhoireannThe Comet / Poppea, Lewis, G. A.Monteverdi
Curtis Institute of MusicStage director
Féach ar an gclár, an fhoireann agus an fhoireannCosì fan tutte, Mozart
Detroit OperaStage director
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
Described by The New York Times as "opera's disrupter in residence," director Yuval Sharon has been creating an unconventional body of work that seeks to expand the operatic form. He founded and serves as Artistic Director of The Industry in Los Angeles, an acclaimed company devoted to new and experimental opera that has brought opera into moving vehicles, operating train stations, and various “non-spaces” such as warehouses, parking lots, and escalator corridors. Sharon conceived, directed, and produced the company’s acclaimed world premieres of Hopscotch, Invisible Cities, and Crescent City. He also devised and directed the company’s two “performance installations”: In C at the Hammer Museum and Nimbus at Walt Disney Concert Hall. His stage productions in more conventional spaces have
